Sunday, August 14 @ 7:00pm
The Toff in Town
2 252 Swanston St
Has an Open Mic?
Tickets from $15 and cheaper in advance http://bit.ly/1tlEsBe
It’s finally happening! Candy Royalle + The Freed Radicals are coming to The Toff in Town in Melbourne.
Fresh from debuting this show at the National Folk Festival’s 50th Anniversary to three packed-out venues and two sold out shows in Sydney, Candy Royalle + The Freed Radicals are bringing their genre bending, poetry pushing, high energy, rabble rousing show to Melbourne to challenge and entertain in equal amounts.
Inimitable and confrontational front woman Candy Royalle delivers explosive poetry and song whilst The Freed Radicals move through rock, hip hop, funk and expiremntal sound scapes like only some of the best musicians in Australia can.
They are joined onstage by special guest vaudeville showgirl Miss Friby just to heat things up that little bit more.
DJ LAPKAT will be bringing the tunes to start the night and opening acts are the inimitable Janelle Da Silva, Ebony MonCrief and Sea.
Punters be warned – this show is not for the faint-hearted: it is high energy and deeply moving. There will be sweat, tears, blood and the sound of many hearts breaking wide open.
Candy Royalle is a performance artist, poet, storyteller, activist and educator who shares confronting, political, human and heart wrenching narratives delivered in her own inimitable style to audiences all over Australia and the world, hoping to break open closed hearts. She seeks to take poetry into non-traditional spaces by collaborating with musicians, dancers, film makers, photographers and visual artists. She has published two collections of poetry “Love Spectacular” and “Heartbeats” as well as two albums “Stories by Starlight” and “Frida People”. Candy Royalle is a festival veteran and has performed both solo and with her band at innumerable folk, music, arts and writers festivals both nationally and internationally having toured parts of the US, Canada, the UK and Europe. She has been awarded numerous prizes including the World Performance Poetry Cup, a Marten Bequest Traveling Scholarship in Poetry and the Austin International Poetry Festival award in Excellence in Poetry plus nominated for many more. She has also been selected for a number of residencies including with Bundanon Trust and Performance Space. Candy has been published in multiple journals, anthologies and literary magazines and has appeared alongside many of Australia’s and world’s greatest poetic voices.
A night for the poetic sweepings of the inner north to degenerate into sleaze, vitriol, and confusion. And rise into revelation, liberating confession and poetic wisps of the sublime. A feast of clashing waters. All in a cozy artsy pup. No features, no list, no limits. Just put your hand up and come on up. Is your piece not really ready? It is for this gig.
Yoram Symons performing ‘The Whale’ at Melbourne Spoken Word presents Bill Moran at The Provincial Hotel, Fitzroy on September 1, 2017.
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Yoram Symons is an engaging and unique voice on the Melbourne poetry scene, known for his enchanting storytelling technique. Yoram is a writer, poet and VR/AR producer in Melbourne. His performance work is a mixture of hypnosis and intensity, exploring the intersection of history, culture, technology and the personal experience.
Slam. Is this once agent in changing the way we produce and consume performance poetry still relevant?
For those who are not familiar with slam: Slam is a competition format in which poets are given a set time limit to perform their pieces and are then scored by a total of 5 randomly selected audience members, the scores usually range from 1-10 to the nearest 0.1 with the top and bottom scores being dropped in order to avoid bias, giving each poet a final score out of 30. The poet with the highest score at the end of the night wins. There are many variations on this basic format (which was first introduced by Marc Smith) employed by poetry competitions across the globe.
Slam boasts origins in the idea that the people should have a say in the type of content they are presented with. That is, that those who are the predominant consumers of performance poetry or spoken word; the audience should be the deciding party in the kind of work that is allowed recognition and reward. This has given rise to a style of poetry unofficially termed “slam poetry.”
Slam poetry is a term used to define the type of poetry, both in cadence and content, that is likely to score well at slams. A poet who presents poetry predominantly of this style may be called a slam poet. And while slam, by definition, is a format for competition, the world of slam poets and slam poetry is a rapidly growing one with poets who have attained worldwide recognition for their execution of this style of poetry. However, over time and particularly on our extensive and hugely varied poetry scene, the idea that the poetry presented in slam is of an inferior quality is becoming an increasingly held one.
That is to say, there is a specific school of thought which views slam through a lens that portrays the art that is presented on slam stages as simplistic, repetitive and lacking in any depth beyond the concise point that the artist is trying to make in the allotted time limit.