Wednesday, September 23 @ 7:00pm
63 Johnston Street Fitzroy
Has an Open Mic?
Book tickets at https://melbournefringe.com.au/program/event/…
Five non-conforming women take you on a poetic and musical journey into unashamed individuality.
A diverse group of five women embark on a poetic and musical journey into self-discovery. In doing so, they transcend and challenge societal expectations, gender stereotypes and often, their expectations of themselves. At times irreverent, at times funny, at times deeply poignant, they will share stories of courage, solidarity, and hope.
I am That Woman, featuring Viki Mealings, Lana Woolf, Amanda Anastasi, Jax Jacki Brown and Elizabeth ‘Lish’ Skec, plays as part of the Melbourne Fringe Festival 2015.
Amanda Anastasi’s poetry has been published in magazines and anthologies both locally and overseas. Amanda’s first collection 2012 and other poems was named in Ali Alizadeh’s ‘Top Ten Poetic Works of 2012’ in Overland Literary Journal. She also co-wrote Loop City, with Steve Smart and NZ composer Yvette Audain, produced by MSO’s Sarah Curro. Amanda won the 2010 and 2011 Williamstown Literary Festival’s Ada Cambridge Poetry Prize. She has since been a judge for both the Ada Cambridge Poetry Prize and the Right Now Human Rights Poetry Prize. She has performed in many spoken word events and festivals in Melbourne.
Lana Woolf is a writer, spoken word artist, radio producer and activist among many other things. She has won the annual Percy Shelly Poetry Slam two years running (2012/2013), has placed in both storytelling and performance poetry at the Sydney Rd Writers Festival (2013), has featured at Keep Left (2012), JOY 94.9 International Lesbian Day Show (2012 & 2014), House of Bricks (2013), Laughs for Diversity (2014), The annual Percy Shelly Poetry Slam (2014) JOY 94.9, International Women’s Day Event (2014) University of Melbourne, Judy Punch magazine launch (2014), Out In The Open (2014). Lana’s collective work is self reflective and often examines the experiences of racism, sexism and homophobia that exist in the world in which we live.
A night for the poetic sweepings of the inner north to degenerate into sleaze, vitriol, and confusion. And rise into revelation, liberating confession and poetic wisps of the sublime. A feast of clashing waters. All in a cozy artsy pup. No features, no list, no limits. Just put your hand up and come on up. Is your piece not really ready? It is for this gig.
Yoram Symons performing ‘The Whale’ at Melbourne Spoken Word presents Bill Moran at The Provincial Hotel, Fitzroy on September 1, 2017.
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Yoram Symons is an engaging and unique voice on the Melbourne poetry scene, known for his enchanting storytelling technique. Yoram is a writer, poet and VR/AR producer in Melbourne. His performance work is a mixture of hypnosis and intensity, exploring the intersection of history, culture, technology and the personal experience.
Slam. Is this once agent in changing the way we produce and consume performance poetry still relevant?
For those who are not familiar with slam: Slam is a competition format in which poets are given a set time limit to perform their pieces and are then scored by a total of 5 randomly selected audience members, the scores usually range from 1-10 to the nearest 0.1 with the top and bottom scores being dropped in order to avoid bias, giving each poet a final score out of 30. The poet with the highest score at the end of the night wins. There are many variations on this basic format (which was first introduced by Marc Smith) employed by poetry competitions across the globe.
Slam boasts origins in the idea that the people should have a say in the type of content they are presented with. That is, that those who are the predominant consumers of performance poetry or spoken word; the audience should be the deciding party in the kind of work that is allowed recognition and reward. This has given rise to a style of poetry unofficially termed “slam poetry.”
Slam poetry is a term used to define the type of poetry, both in cadence and content, that is likely to score well at slams. A poet who presents poetry predominantly of this style may be called a slam poet. And while slam, by definition, is a format for competition, the world of slam poets and slam poetry is a rapidly growing one with poets who have attained worldwide recognition for their execution of this style of poetry. However, over time and particularly on our extensive and hugely varied poetry scene, the idea that the poetry presented in slam is of an inferior quality is becoming an increasingly held one.
That is to say, there is a specific school of thought which views slam through a lens that portrays the art that is presented on slam stages as simplistic, repetitive and lacking in any depth beyond the concise point that the artist is trying to make in the allotted time limit.