Tuesday, February 14 @ 7:30pm
La Mama Theatre
1 205 Faraday St
Has an Open Mic?
Book at http://lamama.com.au/summer/poetica-summer or tickets on the door
La Mama Poetica is an evening of some of the best spoken word and poetry to be found in Melbourne. Each Poetica event features four diverse poets, with a range of styles and personalities – some established, others emerging. It will always be the place to come to hear our finest Melbourne poets, as well as the new and cutting edge contemporary poets.
The first poetry events held at La Mama Theatre date back to the 1970s, and La Mama Poetica is proud to continue the presentation of poets at this much-loved venue. Currently Poetica is held at the heritage-listed La Mama Courthouse Theatre, an icon of the performing arts in Melbourne. It is a beautiful intimate space for poets to perform in.
La Mama Poetica is curated by Amanda Anastasi and is held quarterly on a Tuesday night, usually in February, April, August and October.
Kylie Supski is a Polish-Australian poet and spoken word performer. Kylie’s inspiration comes from her personal experiences, all aspects of her life, and the people she is surrounded by. Kylie is greatly concerned with using art as a method of speaking out about global economic and political inequality. She encourages her audiences towards critical thinking, and to consider the weight of their own powers as citizens with specific regard to the inhumane policies backed by the Australian government controlled by less than ‘The 1%’. Kylie however, enjoys a diverse repertoire and is passionate about exploring the beauty of being alive. Kylie Supski was the winner of The Melbourne Spoken Word Prize in 2016.
Nathan Curnow is an award-winning poet, performer and past editor of Going Down Swinging. His previous books include The Ghost Poetry Project, RADAR, and The Right Wrong Notes. His most recent collection The Apocalypse Awards (2016) is inspired by the absurdity of the modern world and charts our collective obsession with the end times. A recipient of the Josephine Ulrick Poetry Prize, he teaches creative writing at Federation University, and is a co-host of the Youtube series Cooking Classic Poems.
To the Ends of the ‘Verse is all open mic, all the time, hosted between two venues, The Skylark Room out east in Upwey and at the warm and cozy Open Studio in the inner-northern suburb of Northcote. Hosted by poet Justine Walsh, it began as a spoken word poetry event for Belgrave’s inaugural End Of The Line festival in November 2012 and has been hosting events ever since.
Emina Ashman performs ‘Ablution’ at Girls on Key, on Wednesday, February 7, 2018 at Open Studio.
For more spoken word videos from around Melbourne, subscribe to our channel and for more events visit melbournespokenword.com/events.
Emina Ashman is an actor, theatre-maker and poet currently based in Melbourne. She is a 2014 acting graduate of the VCA. Upon graduating, her acting credits include Bock Kills Her Father (La Mama Theatre), Tales of a City by the Sea (La Mama Courthouse), Roberto Zucco (La Mama Theatre) and Too Ready Mirror (Darebin Speakeasy). This year, she performs in Hungry Ghosts as part of Melbourne Theatre Company’s 2018 Education Season. She recently completed her Honours in Independent Theatre Practice VCA, where she developed her play “Make Me A Houri,” a piece that explores the tensions between exercising her sensuality and spirituality.
Girls on Key is a monthly poetry event supporting women and non-binary artists, that takes place usually on the first Wednesday of the month at Open Studio, Northcote. For more information visit girlsonkey.com, their Facebook Page, Twitter, and YouTube channel.
Melbourne Spoken Word was founded in 2015, with the idea of it being a central online hub for spoken word in Melbourne, the place to find out about events, discuss spoken word, and involve the spoken word scene in a unified platform to amplify our artform and bring in new audiences.
A couple of years ago we expanded from a website that people could add their events and submit articles to, to an organisation consisting of a committee from the spoken word community to create accountability and share some decision making. This year, as we move towards incorporation, we wanted to expand that further.
We’re calling out for those involved in spoken word in Melbourne to fulfil some specific roles, namely some people for our new Board and some fresh perspectives in the current committee. We also want to create some co-ordinator roles, including a reviews editor, a comment/opinion pieces editor, some interviewers and a producer to help to produce our podcast and audio-journal, Audacious.
All roles unless otherwise stated are currently volunteer roles, and for people with a passion for spoken word and existing support for the aims of Melbourne Spoken Word. Currently, MSW is applying for grants and seeking other funds to provide payment for roles. We’d love for you to be part of the process of MSW becoming an official not-for-profit organisation for the spoken word scene in Melbourne. MSW believes in paying artists where funding is available. We’re not looking for someone who merely wants to use the role to add something to their CV, but someone who sees the value of this work in the community.
Board Members MSW is in the process of forming a legally recognised incorporated association, with membership, that is registered as deductible gift recipient (DGR) – that’s a not for profit organisation that you can become a member of. In order to do that, we need to form a board, and are calling for expressions of interests,