Tuesday, November 15 @ 7:30pm
The Workers Club
51 Brunswick St Fitzroy
$15/12 (pre-booked) or $20/15 (on the door)
Has an Open Mic?
Book tickets for $15/12 at http://theworkersclub.oztix.com.au/?eventId=67754 or $20/15 on the door.
Melbourne Spoken Word is proud to present One Thousand Promises, a duo art project between Francesca Willow and Madison Mae Parker.
Francesca, a choreographer and performer, uses Madison’s poetry as a starting point for making movement. The duo aims to create a full, experiential atmosphere for the audience, not allowing them to be passive observers, but active participants in the conversation unfolding before them. Their work touches on the darkness that lies within us all, particularly focusing on eating disorders and mental illness, and the strength to overcome through the power that exists within womanhood.
Supported by Anton Charles, Carmen Main, Brendan Bonsack and the winner of October’s Slamalamadingdong.
Are you 16-25 years old? Do you have a passion for storytelling, rap, short stories, poetry, photography, illustration etc.? Do you want to get published and create an interactive community dialogue while you’re at it?
Then come join local storyteller Sista Zai Zanda in Yarra Libraries’ new, interactive, installation-based, community storytelling project – ‘The Poetree’
Sessions will alternate between:‘Young Creative Writers Group Workshops’ (16-25 year olds)
Join Sista Zai Zanda – storyteller, educator and radio producer for The Pan Afrikan Poets Café – as she guides the group through such themes as biography and bio-mythography, creating believable characters and relatable stories, overcoming writer’s block, self-publishing/zine-making, and more. (Dates: 09.09, 23.09, 07.10, 21.10, 04.11, 18.11)‘Open writing sessions’ (Open to all ages)
The group will write quietly for 90 minutes, followed by 30 minutes to share ideas, network and socialise. Writers can choose to respond to prompts set by The Poetree group or work on your project. There is no workshopping, so it doesn’t matter what you are writing or which language you are writing in! (Dates: 16.09, 30.09, 14.10, 28.10, 11.11, 25.11)
The Poetree is on display at Fitzroy Library for the duration of the project.
BYO writing materials and/or laptops. Wi-Fi and power available. Light refreshments served.
Yoram Symons performing ‘The Whale’ at Melbourne Spoken Word presents Bill Moran at The Provincial Hotel, Fitzroy on September 1, 2017.
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Yoram Symons is an engaging and unique voice on the Melbourne poetry scene, known for his enchanting storytelling technique. Yoram is a writer, poet and VR/AR producer in Melbourne. His performance work is a mixture of hypnosis and intensity, exploring the intersection of history, culture, technology and the personal experience.
Slam. Is this once agent in changing the way we produce and consume performance poetry still relevant?
For those who are not familiar with slam: Slam is a competition format in which poets are given a set time limit to perform their pieces and are then scored by a total of 5 randomly selected audience members, the scores usually range from 1-10 to the nearest 0.1 with the top and bottom scores being dropped in order to avoid bias, giving each poet a final score out of 30. The poet with the highest score at the end of the night wins. There are many variations on this basic format (which was first introduced by Marc Smith) employed by poetry competitions across the globe.
Slam boasts origins in the idea that the people should have a say in the type of content they are presented with. That is, that those who are the predominant consumers of performance poetry or spoken word; the audience should be the deciding party in the kind of work that is allowed recognition and reward. This has given rise to a style of poetry unofficially termed “slam poetry.”
Slam poetry is a term used to define the type of poetry, both in cadence and content, that is likely to score well at slams. A poet who presents poetry predominantly of this style may be called a slam poet. And while slam, by definition, is a format for competition, the world of slam poets and slam poetry is a rapidly growing one with poets who have attained worldwide recognition for their execution of this style of poetry. However, over time and particularly on our extensive and hugely varied poetry scene, the idea that the poetry presented in slam is of an inferior quality is becoming an increasingly held one.
That is to say, there is a specific school of thought which views slam through a lens that portrays the art that is presented on slam stages as simplistic, repetitive and lacking in any depth beyond the concise point that the artist is trying to make in the allotted time limit.