Wednesday, January 11 @ 6:30pm
Tall Dark & Coffee
28 Market St South Melbourne
Entry by Donation
Has an Open Mic?
Poetry, monologues, short-stories, dramatic interpretations, stand-up comedy, light verse and dark, and twisted tales, if it’s spoken word, it is simply spoken. Hosted by James WF Roberts, the newest spoken word event on the spoken word scene in Melbourne offers something new and exciting for the experienced spoken word performer and those performers just finding their feet. Peter Tyrell has opened the doors to Tall, Dark and Coffee; a fantastic little gallery, café and performance space in Market street South Melbourne. Each monthly event, or at times weekly event is aimed at experimentation, artistry and entertainment—so come on down and enjoy the themed spoken word event that will surely be a night to remember.
Kylie Supski is a Polish-Australian poet and spoken word performer. Kylie’s inspiration comes from her personal experiences, all aspects of her life, and the people she is surrounded by. Kylie is greatly concerned with using art as a method of speaking out about global economic and political inequality. She encourages her audiences towards critical thinking, and to consider the weight of their own powers as citizens with specific regard to the inhumane policies backed by the Australian government controlled by less than ‘The 1%’. Kylie however, enjoys a diverse repertoire and is passionate about exploring the beauty of being alive. Kylie Supski was the winner of The Melbourne Spoken Word Prize in 2016.
Christine arrived in Sydney from Christchurch New Zealand in 1980; moved to Melbourne in 1985 and never left. Active in the fringe arts community in Sydney and Melbourne during the 80s and early 90’s Christine was published in NEOS, P76 and (as XTINE) in the Angry Women Anthology of Australian Women writers. She played in bands, wrote songs and was involved in community radio. Then got lost in the fog of sole parenting and working in public health. A life-threatening illness inspired her re-emergence as a poet and spoken word practitioner in 2013. She was a finalist in the Radio National 2013 Australian Poetry Slam heat, and has appeared in Melbourne Spoken Word’s Zine, Audacious Vol 1, Poetry and Place Anthology, Dirty Thirty 2015 Anthology and Offset15 Anthology. She writes about life, death, family, memory, social in/justice and the perpetual puzzle of existence. Her work is often challenging and her performance galvanising.
Are you 16-25 years old? Do you have a passion for storytelling, rap, short stories, poetry, photography, illustration etc.? Do you want to get published and create an interactive community dialogue while you’re at it?
Then come join local storyteller Sista Zai Zanda in Yarra Libraries’ new, interactive, installation-based, community storytelling project – ‘The Poetree’
Sessions will alternate between:‘Young Creative Writers Group Workshops’ (16-25 year olds)
Join Sista Zai Zanda – storyteller, educator and radio producer for The Pan Afrikan Poets Café – as she guides the group through such themes as biography and bio-mythography, creating believable characters and relatable stories, overcoming writer’s block, self-publishing/zine-making, and more. (Dates: 09.09, 23.09, 07.10, 21.10, 04.11, 18.11)‘Open writing sessions’ (Open to all ages)
The group will write quietly for 90 minutes, followed by 30 minutes to share ideas, network and socialise. Writers can choose to respond to prompts set by The Poetree group or work on your project. There is no workshopping, so it doesn’t matter what you are writing or which language you are writing in! (Dates: 16.09, 30.09, 14.10, 28.10, 11.11, 25.11)
The Poetree is on display at Fitzroy Library for the duration of the project.
BYO writing materials and/or laptops. Wi-Fi and power available. Light refreshments served.
Yoram Symons performing ‘The Whale’ at Melbourne Spoken Word presents Bill Moran at The Provincial Hotel, Fitzroy on September 1, 2017.
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Yoram Symons is an engaging and unique voice on the Melbourne poetry scene, known for his enchanting storytelling technique. Yoram is a writer, poet and VR/AR producer in Melbourne. His performance work is a mixture of hypnosis and intensity, exploring the intersection of history, culture, technology and the personal experience.
Slam. Is this once agent in changing the way we produce and consume performance poetry still relevant?
For those who are not familiar with slam: Slam is a competition format in which poets are given a set time limit to perform their pieces and are then scored by a total of 5 randomly selected audience members, the scores usually range from 1-10 to the nearest 0.1 with the top and bottom scores being dropped in order to avoid bias, giving each poet a final score out of 30. The poet with the highest score at the end of the night wins. There are many variations on this basic format (which was first introduced by Marc Smith) employed by poetry competitions across the globe.
Slam boasts origins in the idea that the people should have a say in the type of content they are presented with. That is, that those who are the predominant consumers of performance poetry or spoken word; the audience should be the deciding party in the kind of work that is allowed recognition and reward. This has given rise to a style of poetry unofficially termed “slam poetry.”
Slam poetry is a term used to define the type of poetry, both in cadence and content, that is likely to score well at slams. A poet who presents poetry predominantly of this style may be called a slam poet. And while slam, by definition, is a format for competition, the world of slam poets and slam poetry is a rapidly growing one with poets who have attained worldwide recognition for their execution of this style of poetry. However, over time and particularly on our extensive and hugely varied poetry scene, the idea that the poetry presented in slam is of an inferior quality is becoming an increasingly held one.
That is to say, there is a specific school of thought which views slam through a lens that portrays the art that is presented on slam stages as simplistic, repetitive and lacking in any depth beyond the concise point that the artist is trying to make in the allotted time limit.