Tuesday, February 28 @ 6:00pm
33 Saxon Street,
$20 (or $15 for Patreon Patrons: https://www.patreon.com/melbspokenword)
Has an Open Mic?
Book tickets @ https://www.trybooking.com/OOQL
As part of our Spoken Word Night School series presented by Melbourne Spoken Word.
In February, we bring you Komninos Zervos, where he will take participants through a 3-hour writing-based workshop, getting you back to basics, letting the words stand on their own and using language economically. He will also guide you in how this may be used to teach poetry in schools and community groups, as he did for ten years before teaching poetry at uni.
Komninos Zervos was born in 1950 in Melbourne. He has been writing poetry on a professional basis since 1985, taking his poetry to schools, community groups, hotels, music venues, prisons, coffee lounges, universities, radio, television, and now the internet. (http://www.komninos.com.au) He has published two collections of poetry with the University of Queensland Press (Komninos, 1991, and Komninos by the Kupful, 1995); a collection of poetry for children illustrated by Peter Viska and published by Oxford University Press (The Baby Rap and Other Poems, 1992); and a hardcover illustrated children’s picture book published by Harper Collins in 1991. In 1992 he received the Australian Human Rights Award for literature, and in 1993 he was awarded the Australia Council’s Ros Bower Award for outstanding achievement in community arts. In 1995 he completed a Masters of Arts in Creative Writing at the University of Queensland, and authored a cd-rom of cyberpoetry for his dissertation. In 1997 he travelled to London to be writer in residence at Artec, a multimedia training and resource centre in Islington, where he authored a cd-rom, Cyberpoetry Underground. He also convened the Cyber Studies major at the School of Arts, Griffith University, Gold Coast campus, from 1999 to 2007. Komninos’s poetry is taught in schools and is on the syllabus for year 12 HSC Standard English in NSW.
Afro Hub is a monthly open mic where poets can share their work. It’s aimed at encouraging African poets in particular but others are able to jump up as well. Performers can register on the day, everyone that registers has a chance to share.
Viki Mealings performs ‘Other People’s Children’ at the launch of Audacious 4, at The Provincial Hotel, on March 13, 2017.
Viki Mealings is a Melbourne poet, musician and singer. She was one of the poets that featured on Audacious 4th edition audio Journal published by Melbourne Spoken Word this year. She was winner of the 2010 Human Rights Arts and Film Festival Poetry Slam. She produced and performed in the Melbourne Fringe show ‘I am That Woman’ in 2015. Last year she published a poetry collection entitled ‘Her Poetic Body’. She is front woman of the band ‘Brittle Sun’ who are due to release their EP, ‘Elemental Skin’ next month. Her poetry explores issues of social justice and inequality.
Brendan Bonsack is often seen behind a camera, taking photos that inspired people describing being photographed by him at poetry gigs in his classic black and white as being ‘Bonsacked.’ He’s also a fine poet and musician. He even wrote a poem predicting the Bulldogs would win the AFL Grand Final last year.
Can you think of a moment, like from your childhood, that was probably a dead giveaway you’d become a poet?
Apparently, when I was born, a nurse remarked to my mother: “look at him, he already has the weight of the world on his shoulders.” Maybe that qualifies? I have always been drawn to melancholy in poetry.
How’d you discover spoken word?
I think it was by accident, at the Dan O’Connell. I was walking past on my way to somewhere else, and got curious about the goings on through the glass doors. There were blank spots on the Open blackboard, so I scribbled my name in and did one of my songs as a spoken word piece. I must have trimmed a couple of choruses out of it because there were no shouts of “get on with it!” from the bar. The thing about the Dan is that people are very warm to newcomers, so I was inspired to come again.
If you only had one poetry book to take with you in the bunker when the end of the world comes, what would it be?
It would be tempting to take Nathan Curnow’s “The Apocalypse Awards”, but it might scare my fellow bunkermates! Perhaps a large anthology of Emily Dickinson. All those compact gems could be good first seeds in the new world.
When you write a brand new poem that you just have to read, which open mic do you first think to take it to?
Whichever is coming up next! I think every open mic gig I’ve seen in Melbourne is a good place to try new poems. Audiences love to hear new stuff. I have the most rousing audience chanting of “New Shit!!” at Girls on Key.
Which legend of the Melbourne poetry scene do you wanna become w