Tuesday, February 28 @ 6:00pm
33 Saxon Street,
$20 (or $15 for Patreon Patrons: https://www.patreon.com/melbspokenword)
Has an Open Mic?
Book tickets @ https://www.trybooking.com/OOQL
As part of our Spoken Word Night School series presented by Melbourne Spoken Word.
In February, we bring you Komninos Zervos, where he will take participants through a 3-hour writing-based workshop, getting you back to basics, letting the words stand on their own and using language economically. He will also guide you in how this may be used to teach poetry in schools and community groups, as he did for ten years before teaching poetry at uni.
Komninos Zervos was born in 1950 in Melbourne. He has been writing poetry on a professional basis since 1985, taking his poetry to schools, community groups, hotels, music venues, prisons, coffee lounges, universities, radio, television, and now the internet. (http://www.komninos.com.au) He has published two collections of poetry with the University of Queensland Press (Komninos, 1991, and Komninos by the Kupful, 1995); a collection of poetry for children illustrated by Peter Viska and published by Oxford University Press (The Baby Rap and Other Poems, 1992); and a hardcover illustrated children’s picture book published by Harper Collins in 1991. In 1992 he received the Australian Human Rights Award for literature, and in 1993 he was awarded the Australia Council’s Ros Bower Award for outstanding achievement in community arts. In 1995 he completed a Masters of Arts in Creative Writing at the University of Queensland, and authored a cd-rom of cyberpoetry for his dissertation. In 1997 he travelled to London to be writer in residence at Artec, a multimedia training and resource centre in Islington, where he authored a cd-rom, Cyberpoetry Underground. He also convened the Cyber Studies major at the School of Arts, Griffith University, Gold Coast campus, from 1999 to 2007. Komninos’s poetry is taught in schools and is on the syllabus for year 12 HSC Standard English in NSW.
Melbourne Spoken Word is proud to support the campaign to say yes to marriage equality with a special spoken word event at Loop Bar.
Featuring Kylie Supski & Reverse Butcher, Charlotte Laurasia Raymond, Chalise van Wyngaardt and Jocelyn Deane, hosted by and performance by Benjamin Solah. There will also be a special open mic (3-minute limit), sign up on the night.
Proceeds from drink sales go toward supporting Equal Love.
Yoram Symons performing ‘The Whale’ at Melbourne Spoken Word presents Bill Moran at The Provincial Hotel, Fitzroy on September 1, 2017.
For more videos, please subscribe to our YouTube channel.
Yoram Symons is an engaging and unique voice on the Melbourne poetry scene, known for his enchanting storytelling technique. Yoram is a writer, poet and VR/AR producer in Melbourne. His performance work is a mixture of hypnosis and intensity, exploring the intersection of history, culture, technology and the personal experience.
Slam. Is this once agent in changing the way we produce and consume performance poetry still relevant?
For those who are not familiar with slam: Slam is a competition format in which poets are given a set time limit to perform their pieces and are then scored by a total of 5 randomly selected audience members, the scores usually range from 1-10 to the nearest 0.1 with the top and bottom scores being dropped in order to avoid bias, giving each poet a final score out of 30. The poet with the highest score at the end of the night wins. There are many variations on this basic format (which was first introduced by Marc Smith) employed by poetry competitions across the globe.
Slam boasts origins in the idea that the people should have a say in the type of content they are presented with. That is, that those who are the predominant consumers of performance poetry or spoken word; the audience should be the deciding party in the kind of work that is allowed recognition and reward. This has given rise to a style of poetry unofficially termed “slam poetry.”
Slam poetry is a term used to define the type of poetry, both in cadence and content, that is likely to score well at slams. A poet who presents poetry predominantly of this style may be called a slam poet. And while slam, by definition, is a format for competition, the world of slam poets and slam poetry is a rapidly growing one with poets who have attained worldwide recognition for their execution of this style of poetry. However, over time and particularly on our extensive and hugely varied poetry scene, the idea that the poetry presented in slam is of an inferior quality is becoming an increasingly held one.
That is to say, there is a specific school of thought which views slam through a lens that portrays the art that is presented on slam stages as simplistic, repetitive and lacking in any depth beyond the concise point that the artist is trying to make in the allotted time limit.