Friday, December 2 @ 7:00pm
75 on Reid
75 Reid St Fitzroy North
Has an Open Mic?
Audience can book tickets here: https://trybooking.com/Booking/…
Wildcard and entry into the prize is now strictly closed. We encourage people to get active in the spoken word scene next year to get shortlisted for The 2017 Prize.
Join Melbourne Spoken Word and the greater poetry and spoken word community to celebrate our art form in this city with the second annual Melbourne Spoken Word Prize.
Hosted by Anthony O’Sullivan.
Some of Melbourne’s finest poets will be on show with thirty poets this year on the night, shortlisted by gig conveners around Melbourne, with wildcard spots.
With a pretty trophy for both the overall winner and a people’s choice award, $1000 on offer for the overall winner and $200 for the people’s choice winner, and a stack of other professional development opportunities and gigs. Five judges from the spoken word scene will select the best performance on the night based on a combination of writing and performance.
The five judges are Michael Reynolds (Passionate Tongues), Libby Charlton (Dan Poets), Michelle Dabrowski (Slamalamadingdong), Amanda Anastasi (La Mama Poetica) and Ebony MonCrief (Voices in the Attic.)
For more info on the prize format, see our announcement a few months back.
The shortlist has been announced, the wildcards drawn and the order finalised. The thirty poets competing for the prize are:
Every second Wednesday, behind the bookshelf in Sooki Lounge’s secret downstairs ‘nook’, you will find a collection of Belgrave’s local creatives opening their chests and sharing their heart with one another.
An incredibly supportive environment where each poet is greeted with genuine applause.
Chalise van Wyngaardt performing ‘Truth’ at The 2017 Melbourne Spoken Word Prize. Chalise was awarded an Honourable Mention.
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Chalise van Wyngaardt is a poet, theatre-maker and performance artist who believes truth is found outside the comfort zone. Having performed across Melbourne through numerous events and festivals including White Night, Seven Sisters and The Village fest, Chalise is renowned for her provocative and experimental performance styles that challenge the genre of spoken word at a core level. Chalise’s debut poetry collection Author and Melody is now available online through Melbournespokenword.com, and select bookstores across Melbourne
You could decide to write a book, go on tour, win a slam, or run a gig. All awesome things to make resolutions for and some of you probably will. But there are a few forgotten resolutions that spoken wordsters can make to make their 2018 in spoken word extra special for everyone.
Stop apologising If you need to explain a bit about your poem, do some preamble before reading it on the open mic, do so, but do so quickly, but make it your resolution this year to not apologise or sell your work short before you show us the poem. Don’t apologise for not having memorised it, don’t apologise for first drafts, or if you think people won’t get it. You sell yourself short before anyone’s given a chance to realise how dope your writing is. Own the space. It’s your turn on stage. You deserve it just as much as anyone else.
Tell a poet you liked their work Someone’s just poured their heart on stage, they’ve probably said a line that your ear twinkles because it gives you chills but you’ve never heard anyone say anything in that way before. You might whisper to your mate, “holy shit, that was good,” or join the chorus of applause but go and tell the poet who read the poem, especially if they’re new or you’ve never seen them before. You don’t know but your words could be something they really needed to hear.
Go to a gig you’ve never been to before With thirty-five or so regular gigs in Melbourne, you’re bound to have not gotten to them all. That gig you’ve seen advertised but none of your friends go to so you think you won’t know anyone…go to that one. Bring your friends. If it’s on the other side of town, get a carpool together and go check it out. Check out that gig where you don’t know who the feature is. Read the poem you’ve read a million times already to a new audience. If you say you don’t write slam poetry, enter a slam.