Wednesday, July 13 @ 6:30pm
The Toff in Town
2 252 Swanston St
Has an Open Mic?
Book online @ http://moshtix.com.au/v2/event/…
We Run With Wolves (WRWW) is an inclusive, brave platform for high calibre female poets from diverse ethnicities and those that identity as queer or trans. This event will help us to uncover common ground and find strength in our lived experiences – using poetry and storytelling as a means to educate, inspire and build solidarity across lines of difference.
Emilie Zoey Baker
Emilie Zoey Baker is a published award winning poet and slam champion. She has performed her poetry all around the world and is a state coordinator for the Australian Poetry Slam. She is also the winner of the Berlin International Slam as part of the 2010 Berlin International Literature Festival. She is co-cordinater of the Liner Notesspoken word tributes to classic albums. She has featured at Women Of Letters, Ted, The Sydney Writers Festival, The Melbourne International Arts Festival, as well as the Bowery in NYC and The Green Mill in Chicago. She also coordinates The Super Poets, who travel into schools exciting and delighting kids about the joys of writing and performing poetry, and developed the first state teen team poetry slam called OutLoud.
Fleassy Malay is an Internationally renowned, evocative and powerful spoken word artist from the UK. Now based in Melbourne, she runs two successful Spoken Word events in Fitzroy, Mother Tongue and Brother Tongue. Her quirky, theatrical and emotive performance style captivates audiences leaving them both laughing and crying, occasionally both at the same time. Fleassy incorporates both her Theatre background with her love of hip hop and poetry to create stories and poems that ooze rhythm, melody and personality. She has performed at events and festivals in the UK, Canada, Spain, Thailand, Japan, China, and Australia. She also teaches 6 week Spoken Word courses looking at the power of vulnerability and honesty both on and off the stage.
Poet, lyricist and vocalist Candice Monique has an inimitable style that fuses neo-soul, hip-hop, spoken word and soul. A diverse co-writer, her extensive catalogue includes collaborations with Professor Griff of Public Enemy, Rich Medina, Metals and M-Phazes.
Ee’da is a half-Indian, half- Malay Singaporean poet, emcee, singer/songwriter, dancer and arts educator. She broke cultural convention by leaving her family home and coming to Australia where she knew no one. She went on to become an award-winning poet and community arts worker, receiving Victoria’s Multicultural Awards for Excellence for her work in the arts. In 2015, she was awarded the UNESCO City of Literature grant to receive mentorship in diversity education through poetry in New York City. She had featured twice at the Bowery Poetry Club in NYC and The Silver Room in Chicago and has performed at the United Nations Conference, Arts Centre Melbourne and venues across Melbourne. Most recently her works were featured at International Writer’s Festival in Bali and she continues to run poetry and arts programs in schools and community organisations. She is also a singer/songwriter and has supported international hip hop acts such as Lyrics Born and Dead Prez. She is the Founder of ‘Sisters For Sisters’, a Melbourne-based music and arts collective aimed at creating a platform for female artists while addressing a myriad of social issues both locally and internationally.
Are you 16-25 years old? Do you have a passion for storytelling, rap, short stories, poetry, photography, illustration etc.? Do you want to get published and create an interactive community dialogue while you’re at it?
Then come join local storyteller Sista Zai Zanda in Yarra Libraries’ new, interactive, installation-based, community storytelling project – ‘The Poetree’
Sessions will alternate between:‘Young Creative Writers Group Workshops’ (16-25 year olds)
Join Sista Zai Zanda – storyteller, educator and radio producer for The Pan Afrikan Poets Café – as she guides the group through such themes as biography and bio-mythography, creating believable characters and relatable stories, overcoming writer’s block, self-publishing/zine-making, and more. (Dates: 09.09, 23.09, 07.10, 21.10, 04.11, 18.11)‘Open writing sessions’ (Open to all ages)
The group will write quietly for 90 minutes, followed by 30 minutes to share ideas, network and socialise. Writers can choose to respond to prompts set by The Poetree group or work on your project. There is no workshopping, so it doesn’t matter what you are writing or which language you are writing in! (Dates: 16.09, 30.09, 14.10, 28.10, 11.11, 25.11)
The Poetree is on display at Fitzroy Library for the duration of the project.
BYO writing materials and/or laptops. Wi-Fi and power available. Light refreshments served.
Yoram Symons performing ‘The Whale’ at Melbourne Spoken Word presents Bill Moran at The Provincial Hotel, Fitzroy on September 1, 2017.
For more videos, please subscribe to our YouTube channel.
Yoram Symons is an engaging and unique voice on the Melbourne poetry scene, known for his enchanting storytelling technique. Yoram is a writer, poet and VR/AR producer in Melbourne. His performance work is a mixture of hypnosis and intensity, exploring the intersection of history, culture, technology and the personal experience.
Slam. Is this once agent in changing the way we produce and consume performance poetry still relevant?
For those who are not familiar with slam: Slam is a competition format in which poets are given a set time limit to perform their pieces and are then scored by a total of 5 randomly selected audience members, the scores usually range from 1-10 to the nearest 0.1 with the top and bottom scores being dropped in order to avoid bias, giving each poet a final score out of 30. The poet with the highest score at the end of the night wins. There are many variations on this basic format (which was first introduced by Marc Smith) employed by poetry competitions across the globe.
Slam boasts origins in the idea that the people should have a say in the type of content they are presented with. That is, that those who are the predominant consumers of performance poetry or spoken word; the audience should be the deciding party in the kind of work that is allowed recognition and reward. This has given rise to a style of poetry unofficially termed “slam poetry.”
Slam poetry is a term used to define the type of poetry, both in cadence and content, that is likely to score well at slams. A poet who presents poetry predominantly of this style may be called a slam poet. And while slam, by definition, is a format for competition, the world of slam poets and slam poetry is a rapidly growing one with poets who have attained worldwide recognition for their execution of this style of poetry. However, over time and particularly on our extensive and hugely varied poetry scene, the idea that the poetry presented in slam is of an inferior quality is becoming an increasingly held one.
That is to say, there is a specific school of thought which views slam through a lens that portrays the art that is presented on slam stages as simplistic, repetitive and lacking in any depth beyond the concise point that the artist is trying to make in the allotted time limit.