Tariro Mavondo performs ‘Black Boy’ at the closing night of the Melbourne Spoken Word & Poetry Festival at Howler Melbourne on June 3, 2018.
Tariro is a Melbourne/Naarm based artist who uses multiple disciplines to connect through creativity. Tariro writes and performs poetry as well as facilitates workshops around Australia. She sees art as a conversation, a dialogue and her practice focuses on creativity as a facilitator of change. She also works as an actor on the Australian stage (MTC, STC, Bell Shakespeare, Belvoir, Red Stitch) and screen (Neighbours, Winners and Losers), has been an actor in the internationally acclaimed, awarding winning web series Shakespeare Republic and has done voice overs for La Trobe, AFLW and Thomas The Tank Engine (UK).
Peter Bakowski performs a few short poems and an aphoristic one at the opening night of The Melbourne Spoken Word & Poetry Festival at The Toff In Town on May 17, 2018.
Peter Bakowski has been writing poems for 35 years, has received the Victorian Premiers Award for Poetry and writer’s residencies in Rome, Paris, Macau, Suzhou and throughout Australia. His poems continue to appear in literary journals worldwide. Peter writes clear accessible poetry. No matter how many books he writes in his lifetime they’ll all be about what it’s like to be a human being.
How can you truly review a piece of art that comes from a close, spiritual place? Specifically, how do you critique a work of art that was created as a medium to critique itself? It has been challenging to put words to how I feel, but only because this long poem truly is something great.
A large part of this is Symons’ understanding of the use of space, and the positioning of the poems on the page. This is helped further through the illustration of Lital Weizman. The impact this juxtaposition has on the pieces at large quite staggering. The stanzas flow from line to line, breathing, and pace back and forth, fall down and crumble, and then are brought up again. This – combined with the images of scriptures, young students, teenagers pairing off at camp, create a wonderful piece of art in itself.
The piece hints at the ekphrastic; a dramatic description of a work of art, the medium in this case being poetry. I say ‘hints’ as the poems aren’t exactly describing the works of art that accompany them. They feel more like a collaboration of ideas and images, worked out via words and ink.
The whole poem itself stands out alongside the art; I loved its natural flow, its even tempo, and satisfying feel to read:
physical contact can make me awkward.
It centres itself on the questioning of a shared faith. Throughout the poem, the poet eventually turns away from an old, conservative religion, to a more open and free spiritual society. The whale is a powerful symbol, and has obviously been used in many famous pieces of fiction, and this is because the whale is an awe-inspiring creature. The whale in this instance is an existential metaphor, one that is gesturing towards something we as a people can have:
out there in the ocean the whale evolved who sings subtle songs that are so much sweeter than even the sublimest human poetry
The personal nature of the poem is a
Winner, Michael Pardy performs ‘One More Moo’ at Slamalamadingdong in August at The Melba Spiegeltent.
Michael Pardy grew up in Melbourne and at university studied literature, mathematics, and computer science. He has spent the last 20 years working on the Melbourne software development circuit. He goes through patches of writing – in the morning or after dark – and has published plays, poems, short stories, and a novel under the pen name: mbpardy.