Morgaine van Wingerden, honourable mention at The 2019 Melbourne Spoken Word Prize performs ‘The Waitlist’ at Collingwood Town Hall. The 2019 Melbourne Spoken Word Prize was supported by Yarra Libraries.
Morgaine is a Melbourne based poet and artist who shares stories exploring family, mental health, relationships and womanhood. She has featured at numerous events across Melbourne and Sydney, and has performed at the Bowery Poetry House and Nuyorican in New York. She has been a member of Slamalamadingdong’s Team Slama the last two years in a row and was awarded an honourable mention in the 2019 Melbourne Spoken Word Prize.
Miss Yankey performs ‘The Rose That Never Grew’ at Slamalamadingdong in March, 2019.
Miss Yankey is a British/Ghanaian Spoken Word artist; Founder of Poetry Prescribed; FLO Poet; Co-host and Resident Poet at The Chocolate Poetry Club; Open Mic Host at Mind Over Matter; and milli-tasking mother of twins. A passionate advocate of mental health and domestic violence awareness, she often writes poetry on these topics in a bid to takle the stigma attached to them.
Thabani Tshuma, winner of The 2019 Melbourne Spoken Word Prize, as well as The People’s Choice Award and The Convener’s Choice Award, performs his winning poem, ‘No Strings’ at Collingwood Town Hall.
The 2019 Melbourne Spoken Word Prize was supported by Yarra Libraries.
Thabani Tsuma is Zimbabwean born and raised, living abroad for the greater part of the last decade. His work is influenced by the myriad identity challenges of the diaspora, expatriates and immigrants, while also addressing awareness around addiction, mental health and generational trauma. He is currently in his final year of studying journalism, a 2019 Hotdesk fellowship recipient with the Wheeler centre, Featured author with Djed Press, Slamalamadingdong’s 2019 Grand Slam champion, a member of the National poetry slam’s winning team and ranked among the top 50 slam poets worldwide at IWPS 2019. Writing is the aperture through which he views the world and experiences self in relation to others.
Thabani Tshuma performing ‘Newton’s Apple,’ which received an honourable mention at The 2018 Melbourne Spoken Word Prize.
Thabani Tshuma was born and raised in Zimbabwe but has been globe-hopping for the greater part of the last decade and as such, considers himself somewhat of a cultural nomad. Whilst writing for as long as he can remember, he’s only actively engaged in the Melbourne Spoken word scene this past year. Thabani’s poetry is an aperture through which he views his world and the way he interacts in relation to others. Thabani studies journalism with the aspiration of immortalizing himself by leaving a dent in the literary world.
Rhiann Isaacs performing ‘Black on Both Sides,’ which received an honourable mention at The 2018 Melbourne Spoken Word Prize.
Rhiann Isaacs is an outspoken Afro-Guyanese poet that has nurtured a love for words and storytelling from a young age. Rhiann’s pieces are explorative narratives that mainly centre around identity, Pan-African issues and mental health. As a rising artist, she brings energy and passion to the stage as she treats each poem as living art pieces that deserve to take up space. Expect transparency and straight forward expression from beginning to end.
Alison Whittaker reads ‘A love like Dorothea’s’ as part Blakwork, a reading for the Melbourne Visiting Poets Program, at The Wheeler Centre in August 2018.
Alison Whittaker is a Gomeroi poet, life writer and essayist from Gunnedah and Tamworth, north-western New South Wales. She now lives in Sydney on Wangal land, and is recently returned from the US, where she received a 2017 Fulbright Indigenous Postgraduate Scholarship to complete a Master of Laws (LLM) at Harvard. Her poem MANY GIRLS WHITE LINEN received the Judith Wright Poetry Prize in 2017. She is the author of Lemons in the Chicken Wire (Magabala Books), the debut collection that established her as a powerful new voice in poetry.
Her next book, Blakwork (forthcoming from Magabala), is a stunning mix of memoir, reportage, fiction, satire and critique. Blakwork is an original and unapologetic collection from which two things emerge: an incomprehensible loss, and the poet’s fearless examination of the present.