Friday, May 22 @ 7:30pm
Melbourne Physical & Natural Studio
Fitzroy VIC AU
Has an Open Mic?
Brother Tongue is an evening of mens spoken word (the brother night of Mother Tongue). With two inspiring feature performers and 8 open mic spaces it is a night of entertainment, passion, fire, vulnerability, laughter and tears.
Slamalamadingdong hosts its annual Grand Slam, this year at Howler, where the top poets from a season of slams qualify for the title of Grand Slam Champ, and a spot on Team Slama, this year competing against slams from around the country in a new national tournament to take place in July. Featuring on the night is 2018 Grand Slam Champ, Tenda McFly. Tickets will sell out.
Slamalamadingdong is Melbourne’s premiere poetry slam, being the only slam in Australia currently PSI-certified, with three rounds and high-calibre nationally and internationally recognised feature artists that push the boundaries of spoken word. Slama runs on the last Thursday of every month, with slammers competing for cash, a published video of their work, performance opportunities and the chance to represent Slama at the national or international tournaments each year.
Alison Whittaker reads ‘A love like Dorothea’s’ as part Blakwork, a reading for the Melbourne Visiting Poets Program, at The Wheeler Centre in August 2018.
Alison Whittaker is a Gomeroi poet, life writer and essayist from Gunnedah and Tamworth, north-western New South Wales. She now lives in Sydney on Wangal land, and is recently returned from the US, where she received a 2017 Fulbright Indigenous Postgraduate Scholarship to complete a Master of Laws (LLM) at Harvard. Her poem MANY GIRLS WHITE LINEN received the Judith Wright Poetry Prize in 2017. She is the author of Lemons in the Chicken Wire (Magabala Books), the debut collection that established her as a powerful new voice in poetry.
Her next book, Blakwork (forthcoming from Magabala), is a stunning mix of memoir, reportage, fiction, satire and critique. Blakwork is an original and unapologetic collection from which two things emerge: an incomprehensible loss, and the poet’s fearless examination of the present.
Sharifa Tartoussi performs ‘On blood and handprints’ at Slamalamadingdong in October 2018 at The Melba Spiegeltent.
Sharifa A Tartoussi is a dentist, poet and performer. She is involved in several creative projects, most notably becoming half the founding party of GriffinSpeak; a spoken word event that creates space for voices from marginalised groups around Melbourne. Her style has been described as teetering on the boundary between the fire that warms and the fire that burns with a mix of traditional storytelling, millennial boundary pushing and raw emotion with influences from eastern and western art and literature owing to her traditional Arab upbringing in a western climate. She released her first Chapbook “ColourBlind” in early 2018.