Saturday, September 19 @ 6:00pm
Village Roadshow Theatrette, State Library of Victoria
328 Swanston St Melbourne
Has an Open Mic?
Over a series of workshops at the State Library of Victoria, facilitators and artists Abdul Hammoud, Ebony Moncrief and Sukhjit Khalsa have been collaborating with budding wordsmiths to create new poetry and spoken word pieces exploring identity and role of faith in our everyday lives which will be launched at a free performance at the State Library of Victoria’s Village Roadshow Theatrette on Saturday 19 September 2015 from 6pm-8pm featuring spoken-word and live music.
The Common Ground participants have met every Saturday to come together to craft their own spoken word poetry by exploring topics including identity, belonging, conflict, balance and peace alongside facilitators and community liaisons Ajit Singh, Zakia Baig and Amona Hassab. Each participant has brought the wealth of their experience, coming from a range of backgrounds. Participants have been introduced to new writing techniques, group discussions and performance styles. The performance on the 19th of September will feature the work the participants and artists have created over their journey together.
In addition to the performance, a selection of the pieces created during this project will also be set to soundscapes created by Melbourne-based producer Cazeaux O.S.L.O and accompanied by a video produced by Rogue Pixel to be released online in November- stay tuned!
This project is supported by the Australia Council for the Arts, Creative Victoria, City of Melbourne, State Library of Victoria, the Victorian Multicultural Commission and Uniting Through Faiths.
Abdul Hammoud is a spoken word artist based in Melbourne by way of Lebanon, a country that he is still captivates by and connects to. Abdul has performed alongside poetic giants like Luka Lesson, Ken Arkind, Anis Mojgani, Sarah Kay, Taylor Mali and Shihan. He has also managed to teach numerous writing classes and workshops for schools and various organizations. His art has taken him as close as New Zealand and as far as the United States, as well as to his beloved home country. In 2013, he became founder of The Dirty Thirty online writing platform, an ever-growing group for writers to challenge themselves every April. He is now also editor and compiler of The Dirty Thirty Anthology, a collection of poetry from the page he coordinates. Most of his work revolves around current issues including the constant state of war in the Middle East, cultural division, as well as the portrayal of masculinity. He is also a full time student and an avid purveyor of starting books but not finishing them.
Ebony MonCrief, raised in Birmingham, Alabama, is a writer, performance poet, inspirational speaker and producer of the open mic Voices in the Attic. Through words, she explores art, music, humanity, the universe and most importantly self. Her vibrant storytelling style engages, entertains and provides audiences with a honest look at the person behind the words.
Michael Pardy and Megan Scott both live down the far south of the Mornington Peninsula. This Friday they will be performing a selection of poems to celebrate Friday knock-off and welcome in another weekend at the beach.
Wheelchair Accessible. All Ages.
Alison Whittaker reads ‘A love like Dorothea’s’ as part Blakwork, a reading for the Melbourne Visiting Poets Program, at The Wheeler Centre in August 2018.
Alison Whittaker is a Gomeroi poet, life writer and essayist from Gunnedah and Tamworth, north-western New South Wales. She now lives in Sydney on Wangal land, and is recently returned from the US, where she received a 2017 Fulbright Indigenous Postgraduate Scholarship to complete a Master of Laws (LLM) at Harvard. Her poem MANY GIRLS WHITE LINEN received the Judith Wright Poetry Prize in 2017. She is the author of Lemons in the Chicken Wire (Magabala Books), the debut collection that established her as a powerful new voice in poetry.
Her next book, Blakwork (forthcoming from Magabala), is a stunning mix of memoir, reportage, fiction, satire and critique. Blakwork is an original and unapologetic collection from which two things emerge: an incomprehensible loss, and the poet’s fearless examination of the present.
Sharifa Tartoussi performs ‘On blood and handprints’ at Slamalamadingdong in October 2018 at The Melba Spiegeltent.
Sharifa A Tartoussi is a dentist, poet and performer. She is involved in several creative projects, most notably becoming half the founding party of GriffinSpeak; a spoken word event that creates space for voices from marginalised groups around Melbourne. Her style has been described as teetering on the boundary between the fire that warms and the fire that burns with a mix of traditional storytelling, millennial boundary pushing and raw emotion with influences from eastern and western art and literature owing to her traditional Arab upbringing in a western climate. She released her first Chapbook “ColourBlind” in early 2018.