Thursday, June 23 @ 7:00pm
2 415 Church St
$11.44 – $16.67
Has an Open Mic?
Book tickets: https://eventbrite.com.au/e/…
Commemorating World Refugee Week and celebrating the artistic and cultural diversity of Yarra
This event is part of Emerge in Yarra 2016, a week long festival commemorating World Refugee Week and celebrating the artistic and cultural diversity of Yarra, spanning a multitude of workshops, theatre performances, cooking demonstrations, live music, storytelling, spoken word, comedy and conversations.
Music and poetry unite to tell a story of identity, belonging, migration, nostalgia, peace and conflict. The evening will feature performances by participants from MAV’s flagship interfaith spoken word program Common Ground, accompanied by the improvised music of Indian Bansuri maestro Vinod Prasanna, Senegambian kora player Amadou Suso, Hazara Damboora player Murtaza Jafari and and Javanese vocalist and percussionist Ria Soemardjo.
The evening will also include performances from Common Ground facilitators Sukhjit Kaur Khalsa and Abdul Hammoud.
Photo by John E Photography
Sukhjit Kaur Khalsa
Sukhjit Kaur Khalsa is a first generation Australian Sikh spoken word poet, MC, producer, actor and human rights reformer.
Abdul Hammoud is a spoken word artist based in Melbourne by way of Lebanon, a country that he is still captivates by and connects to. Abdul has performed alongside poetic giants like Luka Lesson, Ken Arkind, Anis Mojgani, Sarah Kay, Taylor Mali and Shihan. He has also managed to teach numerous writing classes and workshops for schools and various organizations. His art has taken him as close as New Zealand and as far as the United States, as well as to his beloved home country. In 2013, he became founder of The Dirty Thirty online writing platform, an ever-growing group for writers to challenge themselves every April. He is now also editor and compiler of The Dirty Thirty Anthology, a collection of poetry from the page he coordinates. Most of his work revolves around current issues including the constant state of war in the Middle East, cultural division, as well as the portrayal of masculinity. He is also a full time student and an avid purveyor of starting books but not finishing them.
Littlefoot & Co host a special night of spoken word as part of the Emerging Writers’ Festival featuring Sukhjit Kaur Khalsa.
A night of spoken word of all kinds out in the South-East of Melbourne, featuring good vibes, plenty of open mic spots and encouraging of first time performers.
Love, loss, and loneliness all pop up in Kendra Keller’s (aka Lady Longdrop) lively and tender first collection of poems Hey Moon! Lady Longdrop demands a conversation that leads us away from an elusive state. With an active, empowered voice, she uses the moon the way many of us use it – to connect to the hidden self from, the self that is terrified of being seen. Poetry to her is a form of meditation.
In the section ‘Moon Poems’, she takes the reader out to see the moon, and in the poem, ‘Full-of-it’ lies a powerfully vulnerable question that requires sight:
Great fat moon
Why do you look at me and ask
Whether I am as fully human as you are fully stone
What would it take for many of us to articulate the pain our mothers and fathers caused us? To articulate back, to them, their state, and ours, through a question? Lady Longdrop insists that we rest before this journey – to connect with our larger selves.
What would it feel like if we took our problems to the moon, then feasted on her light as the narrator of the book does? Would we perceive love in ways suggested in ‘Love Is’?
A forgotten dream
Would we then dig deeper into our memories, and say:
Love is some clothes I threw out cos they didn’t fit anymore
Love is some papers
Dusty with nostalgia
That I had to burn
Where would we go? The ocean?
If we are to find ourselves, to find where we belong, we must find the things that truly know themselves. In her poem ‘As Though it is OK’, Lady Longdrop poetically displays the human demise when we compare ourselves to others without the knowledge of our capacity to transcend our conditions.
You hang there
As though it is ok
As though there are humans who can cope with your perfect
mirroring of yourself
Lady Longdrop consistently draws attention to the possibility of opening up
Ziimusic performs ‘Black Don’t Crack’ at the Slamalamadingdong Grand Slam in May. Ziimusic is on the 2018 Slamalamadingdong National Poetry Slam team travelling to Chicago in August.
ZIIMUSIC, is a Naarm based creative blending his artistry into a soulful experience. Originally from Zimbabwe, ZIIMUSIC began his creative career as a rapper and musician. He has had the privilege of performing in and around Naarm where his band have performed at festivals and sold out venues. 2017 saw ZIIMUSIC step into the Spoken Word scene as he was part of the Band Of Brothaz compromising of Naarms most decorated spoken word artists.