Sunday, August 28 @ 6:00pm
Under the Hammer
158 Sydney Road Coburg
Has an Open Mic?
Sam Ferrante entered our Melbourne poetic lives at MSW’s Howl open mic last year, she was looking for a place to keep her away from America for a little longer and actually looked up Melbourne Spoken Word and decided to come here to our fine city, and well she kind of fell in love with us, gigged around town, went to lots of things, became one of the co-conveners of Slamalamadingdong.
Will Beale also arrived around the same time, moving from Malaysia, with that sexy international school accent, and with Sam and Arielle Cottingham became one of the co-conveners of Slamalamadingdong. He’s been gigging around town and also immersing himself in our scene.
They’re leaving us in September (super sad face) and we wanna say good bye and see them do their poetic thing one last time. They both promise to come back and visit.
Bring a poem Sam or Will might like or dedicated to them etc. and Sam and Will will (get it?) do a set at the end.
Sam Ferrante is a poet, editor, facilitator, and writer born on Long Island, college-fed in Western New York and Paris, and then poetically raised in Buffalo, NY, Ireland, and Australia. A former member of the Pure Ink Poetry team in Buffalo and a regular competitor in Dublin’s Slam Sunday, Sam is now a Co-Creative Producer at Melbourne-based Slamalamadingdong. She is also Editor-in-Chief for online magazine, CrowdInk, and a regular attendee of as many poetry events as she can cram into a week. Her debut book of poetry, Pick Me Up got rave reviews from her Mom.
William Beale is a spoken word poet, writer and actor currently based in Melbourne. His debut poetry collection, “THEY CALL US LOUD” is available throughout Australia and Southeast Asia. As Co-Creative Producer of Slamalamadingdong, one-third of Three Round Circus and co-founder of If Walls Could Talk Open Mic, William has years of experience performing, producing and teaching in international poetry communities. His work has been called “a boy howling his way into the world, despite all its muzzles”, but in real life he’s just glad he’s afraid of moths, not microphones.
Poetryspective, a new poetry and spoken word event celebrates world poetry. Featuring one poet performing their own work, and one poet presenting the work of a poet who inspires them, with an open section that encourages not just the reading of original work, but the work of others that inspire them. MC’d by Lish Skec.
Alison Whittaker reads ‘Murrispacetime’ as part Blakwork, reading for the Melbourne Visiting Poets Program, at The Wheeler Centre in August 2018.
Alison Whittaker is a Gomeroi poet, life writer and essayist from Gunnedah and Tamworth, north-western New South Wales. She now lives in Sydney on Wangal land, and is recently returned from the US, where she received a 2017 Fulbright Indigenous Postgraduate Scholarship to complete a Master of Laws (LLM) at Harvard. Her poem MANY GIRLS WHITE LINEN received the Judith Wright Poetry Prize in 2017. She is the author of Lemons in the Chicken Wire (Magabala Books), the debut collection that established her as a powerful new voice in poetry.
Her next book, Blakwork (forthcoming from Magabala), is a stunning mix of memoir, reportage, fiction, satire and critique. Blakwork is an original and unapologetic collection from which two things emerge: an incomprehensible loss, and the poet’s fearless examination of the present.
Jennifer Compton performing ‘in the museum of the wars’, which received an Honourable Mention at The 2018 Melbourne Spoken Word Prize.
Jennifer Compton lives in Melbourne and is a poet and playwright who also writes prose. When it comes to the poetry side of things she likes to have it every which way possible. She very much likes winning the Newcastle Poetry Prize and being given the big cheque. And she also very much likes the hurly burly of the open mic.