Saturday, September 17 @ 6:30pm
Gryphon Gallery, Building 1888
Parkville Melbourne VIC
Has an Open Mic?
Open mic sign up at 6.45pm.
Tickets can be pre-booked at https://eventbrite.com.au/e/…
A special spoken-word event showcasing all that is diverse and wonderful in the melbourne spoken word scene. Based on the idea of the Griffin: a mythological creature made up of power and majesty of the kings of both land and sky, GriffinSpeak is a celebration of artists of diverse backgrounds and styles with a focus on creating space for their stories as they would have them told.
Join us for a night of poetic potency as our powerful super features: John Englezos, Ee’da Brahim and Esme Foong share the stage with our new and appropriately named Griffins as they break into the scene and our open mic-ers as they bring a heterogenous yet coherent ensemble of performances for purposes of both education and expression under the direction of our super poet MC Nour Abouzeid.
Waffle Irongirl regularly sets out to write poetry in the venerable tradition of Blake and Whitman. But she keeps getting waylaid by personal opinions, her cultural context and a fondness for the music of Cold Chisel. The fact she can’t resist the occasional slam just makes things worse. On-stage, she’s the poetical analogue of a heavy metal karaoke. Off-stage she’s vague and freshly introverted.
Ee’da is a half-Indian, half- Malay Singaporean poet, emcee, singer/songwriter, dancer and arts educator. She broke cultural convention by leaving her family home and coming to Australia where she knew no one. She went on to become an award-winning poet and community arts worker, receiving Victoria’s Multicultural Awards for Excellence for her work in the arts. In 2015, she was awarded the UNESCO City of Literature grant to receive mentorship in diversity education through poetry in New York City. She had featured twice at the Bowery Poetry Club in NYC and The Silver Room in Chicago and has performed at the United Nations Conference, Arts Centre Melbourne and venues across Melbourne. Most recently her works were featured at International Writer’s Festival in Bali and she continues to run poetry and arts programs in schools and community organisations. She is also a singer/songwriter and has supported international hip hop acts such as Lyrics Born and Dead Prez. She is the Founder of ‘Sisters For Sisters’, a Melbourne-based music and arts collective aimed at creating a platform for female artists while addressing a myriad of social issues both locally and internationally.
Michael Pardy and Megan Scott both live down the far south of the Mornington Peninsula. This Friday they will be performing a selection of poems to celebrate Friday knock-off and welcome in another weekend at the beach.
Wheelchair Accessible. All Ages.
Alison Whittaker reads ‘A love like Dorothea’s’ as part Blakwork, a reading for the Melbourne Visiting Poets Program, at The Wheeler Centre in August 2018.
Alison Whittaker is a Gomeroi poet, life writer and essayist from Gunnedah and Tamworth, north-western New South Wales. She now lives in Sydney on Wangal land, and is recently returned from the US, where she received a 2017 Fulbright Indigenous Postgraduate Scholarship to complete a Master of Laws (LLM) at Harvard. Her poem MANY GIRLS WHITE LINEN received the Judith Wright Poetry Prize in 2017. She is the author of Lemons in the Chicken Wire (Magabala Books), the debut collection that established her as a powerful new voice in poetry.
Her next book, Blakwork (forthcoming from Magabala), is a stunning mix of memoir, reportage, fiction, satire and critique. Blakwork is an original and unapologetic collection from which two things emerge: an incomprehensible loss, and the poet’s fearless examination of the present.
Sharifa Tartoussi performs ‘On blood and handprints’ at Slamalamadingdong in October 2018 at The Melba Spiegeltent.
Sharifa A Tartoussi is a dentist, poet and performer. She is involved in several creative projects, most notably becoming half the founding party of GriffinSpeak; a spoken word event that creates space for voices from marginalised groups around Melbourne. Her style has been described as teetering on the boundary between the fire that warms and the fire that burns with a mix of traditional storytelling, millennial boundary pushing and raw emotion with influences from eastern and western art and literature owing to her traditional Arab upbringing in a western climate. She released her first Chapbook “ColourBlind” in early 2018.