Tuesday, February 16 @ 7:30pm
La Mama Courthouse Theatre
349 Drummond Street Carlton
Has an Open Mic?
Book tickets by calling 9347 6142 or by visiting http://lamama.com.au/la-mama-programs/…
La Mama Poetica is an evening of some of the best spoken word and poetry to be found in Melbourne. Each Poetica event features four diverse poets, with a range of styles and personalities – some established, others emerging. It will always be the place to come to hear our finest Melbourne poets, as well as the new and cutting edge contemporary poets.
The first poetry events held at La Mama Theatre date back to the 1970s, and La Mama Poetica is proud to continue the presentation of poets at this much-loved venue. Currently Poetica is held at the heritage-listed La Mama Courthouse Theatre, an icon of the performing arts in Melbourne. It is a beautiful intimate space for poets to perform in.
La Mama Poetica is curated by Amanda Anastasi and is held quarterly on a Tuesday night, usually in February, April, August and October.
Matt Hetherington is a writer, music-maker, and moderate self-promoter who has been living in Brisbane since 2013, and before that, 18 years in the inner North of Melbourne. He has been writing poetry for over 30 years, and has published 4 poetry collections and over 300 poems. His first all-haiku/senryu collection ‘For Instance’ was published in March 2015 by Mulla Mulla Press. He is a dude. He may even abide.
Poetryspective, a new poetry and spoken word event celebrates world poetry. Featuring one poet performing their own work, and one poet presenting the work of a poet who inspires them, with an open section that encourages not just the reading of original work, but the work of others that inspire them. MC’d by Lish Skec.
Alison Whittaker reads ‘Murrispacetime’ as part Blakwork, reading for the Melbourne Visiting Poets Program, at The Wheeler Centre in August 2018.
Alison Whittaker is a Gomeroi poet, life writer and essayist from Gunnedah and Tamworth, north-western New South Wales. She now lives in Sydney on Wangal land, and is recently returned from the US, where she received a 2017 Fulbright Indigenous Postgraduate Scholarship to complete a Master of Laws (LLM) at Harvard. Her poem MANY GIRLS WHITE LINEN received the Judith Wright Poetry Prize in 2017. She is the author of Lemons in the Chicken Wire (Magabala Books), the debut collection that established her as a powerful new voice in poetry.
Her next book, Blakwork (forthcoming from Magabala), is a stunning mix of memoir, reportage, fiction, satire and critique. Blakwork is an original and unapologetic collection from which two things emerge: an incomprehensible loss, and the poet’s fearless examination of the present.
Jennifer Compton performing ‘in the museum of the wars’, which received an Honourable Mention at The 2018 Melbourne Spoken Word Prize.
Jennifer Compton lives in Melbourne and is a poet and playwright who also writes prose. When it comes to the poetry side of things she likes to have it every which way possible. She very much likes winning the Newcastle Poetry Prize and being given the big cheque. And she also very much likes the hurly burly of the open mic.