Friday, June 3 @ 7:00pm
7-11 Dawson St Brunswick
Has an Open Mic?
Get your tickets on the door or via Moshtix: http://moshtix.com.au/v2/event/…
Melbourne Spoken Word is proud to host “Good Ghost” Bill Moran again in Melbourne this June. Following two successful shows in the past two years, Bill has become a great friend and supporter of the local Melbourne scene.
He will be supported by Melbourne poets Arielle Cottingham, Ed Carlyon, Will Beale, Jess Alice and Esme Foong, plus the winner of Slamalamadingdong in May, Alex Fusca.
Doors open 7pm for a 7.30pm start.
William Beale is a spoken word poet, writer and actor currently based in Melbourne. His debut poetry collection, “THEY CALL US LOUD” is available throughout Australia and Southeast Asia. As Co-Creative Producer of Slamalamadingdong, one-third of Three Round Circus and co-founder of If Walls Could Talk Open Mic, William has years of experience performing, producing and teaching in international poetry communities. His work has been called “a boy howling his way into the world, despite all its muzzles”, but in real life he’s just glad he’s afraid of moths, not microphones.
Jessica Alice is a writer, editor, broadcaster and speaker from Melbourne. She is Poetry Editor of Scum and was a Director of the National Young Writers’ Festival in 2014 & 15. Jessica’s work has been featured in The Guardian Australia, VICE, The Lifted Brow, Junkee, Spook Magazine, Cordite Poetry Review and Metro Magazine, among others.
Waffle Irongirl regularly sets out to write poetry in the venerable tradition of Blake and Whitman. But she keeps getting waylaid by personal opinions, her cultural context and a fondness for the music of Cold Chisel. The fact she can’t resist the occasional slam just makes things worse. On-stage, she’s the poetical analogue of a heavy metal karaoke. Off-stage she’s vague and freshly introverted.
Ed Carlyon is a writer and spoken word poet based in Melbourne. He has recently performed at both Strawberry Fields Festival and White Night Melbourne, as well as having competed in the national finals of the 2015 Australian Poetry Slam.
Bill Moran is a first-year MFA poetry candidate at Louisiana State University and a former EMT. He was a proud member of the 2011-2013 Austin Poetry Slam national teams, as well as the 2012 & 2013 Austin Poetry Slam Champion and 2013 Southern Fried Haiku Champion. He has co-directed the Texas Grand Slam Poetry Festival, performed and taught poetry internationally, and served as president of Mic Check, a non-profit poetry organization in Brazos County, Texas. His work has been published three times by Button Poetry in video form, and is forthcoming in Phoebe and FreezeRay Press in print. Also, he is convinced he has the Gulf Coast inside him. He appreciates your concern and well-wishes, but swears he is okay. Really.
Arielle Cottingham is a poet and performance artist out of coastal and South Texas, now based in Melbourne, Australia. Her poetry ranges from raw vulnerability to provocative politics, exploring how the personal influences the public, and vice versa. When she isn’t writing poetry, she is facilitating it as one of the creative producers for Melbourne’s Slamalamadingdong.
Lentil as Anything in Abbotsford are now hosting a monthly poetry open mic on the third Friday of each month.
Come on down to a night of poetry at Lentil As Anything Abbotsford where you can enjoy our a la carte dinner while listening to some original poetry and share your poems in a safe place.
You are part of the team that Slamalamadingdong is sending to US to compete in the National Poetry Slam. What excites you the most about competing in Chicago?
I’m immensely proud of Slama and of the whole Melbourne poetry scene, so I’m excited to go and represent everyone at such a huge event. I’d like to be a kind of ambassador for the amazing art being created in Melbourne and Australia. I’m keen to watch, connect with, and learn from lots of other amazing artists. I think we might also be able to push the boundaries of what American audiences think of as ‘Slam Poetry’ by bringing our own styles, experiences, and contexts into our work and our performances.
Your accent is decidedly English. What part of the UK are you from, and what brought you to Australia and Melbourne in particular?
I was born in Newcastle Upon Tyne, but grew up down south in Surrey. The rest of my family are from in and around Manchester, so that was an influence too. I’ve also lived in Leeds, South London and North London. So, maybe I’ve got more of an ‘undecidedly’ English accent. I wonder whether those varied influences were part of what got me interested in accents, dialects, and language generally.
My partner and I met in the UK but her mum is Australian and her family emigrated to live in Geelong some years ago. That gave us the chance to try living in another country and we fell in love with Melbourne. We said we’d give it two years and see how we settled in. That was five and a half years ago. So, it looks like it’s going okay.
Yes, I did hear that you would travel from Geelong to attend poetry events. What made getting up in front of that mic worth the small journey each time?
The poetry and spoken word scene is my community, so it was well worth the journey just to be among those people and hear their art and their stories. I think it was important for my mental health to keep performing regularly too. There is some
The ‘aperture’ of an ‘OCDiva’s’ ’appetite’ by Hamish Danks Brown
“Beauty beheld in solitude is even more lethal.” Witold Gombrowicz, Ferdydurke
In mid-December 2016, Amy Bodossian launched her debut collection wide open in the standing room confines of Ferdydurke, a venue located above Tattersalls Lane in the CBD.
It’s a slim ninety-page volume containing two dozen poems, plus illustrations by an Adelaide-born cabaret performer who usurps any stage with such panache escalating to frenzy that I’ve christened her ‘OCDiva’!
The poems hone in on personal matters: the author’s body, mind and soul; the whenever, wherever, with whoever that all comes with outbreaks of love and influxes of sex. This book is not for the prurient and prudish among us. It is intended for a ‘wide open’ readership in print and for a like-minded audience with similar gaping predilections shown when the ‘OCDiva’ herself is on stage.
The overriding theme of this book is that adults are overgrown kids dealing with the alternative facts and fantasies of love lives and that none of us are getting any younger though we can tweak time and play depending on whose place we’re at, through the detouring routes of our boudoir behaviour patterns.
This collection goes full-cycle from a juvenile tryst in ‘Remember that Sunday Afternoon’, to a reflective ‘Reprise’ via a poetic cycle of remembered episodes and personal encounters such as ‘First Date’, ‘Coat Hanger Eyes’, ‘Summer Love’, ‘Phone Sex’ and ‘Over’:
I’m not into dominating / but I do like masturbating / over the thought of you telling me things / you’d never tell anyone else, / how you say you’d like to be punished / which I’m not really into, but I do get wet / over your wounded, he