Friday, August 26 @ 7:30pm
The Diggers Store
61 Main Rd Campbells Creek
Has an Open Mic?
Mother Tongue is a monthly intimate and gentle evening of Passionate, Powerful, Vulnerable and Honest womens spoken word. From rap to storytelling, poetry to monologues this night embodies every genre of “Spoken Word” and attempts to represent every aspect of “woman” from student to housewife, transgender to straight CIS, nice girl to erotic demoness and everything in between. It is a mixed gender audience with a cosy, living room atmosphere, that gives a space for 8 open mic slots and two feature artist to inspire and be inspired, to share in a safe place, to push boundaries and to have boundaries pushed…. and to top it all off there is vegan treats and chai too.
Walking in the footsteps of Edith Piaf, Rhiannon (of WeBe3), Laurie Anderson and Meredith Monk, Charlotte Roberts is a chanteuse; vulnerable and wild, she takes you on a musical journey from the ridiculous to the sublime. Deeply inspired by the music of Bjork, World Folk Music and Bobby Mcferrin, Charlotte has been described as what would happen if the Mad Hatter and Alice had a kid. In her varied arts practice she collaborates with dancers as an improvisational-looping vocalist and is currently touring her Cabaret show “Sounds From PlanetSOL”. In (many of) her performances; audience participation is a must. Charlotte guides you through a lyrical landscape as she introduces the musical medicine of Dr. Lalalulu and other characters, plays with body-voice-story improvisations, guiding you to your emotional depths to be shot out the other-side in a fit of laughter.
Fleassy Malay is an Internationally renowned, evocative and powerful spoken word artist from the UK. Now based in Melbourne, she runs two successful Spoken Word events in Fitzroy, Mother Tongue and Brother Tongue. Her quirky, theatrical and emotive performance style captivates audiences leaving them both laughing and crying, occasionally both at the same time. Fleassy incorporates both her Theatre background with her love of hip hop and poetry to create stories and poems that ooze rhythm, melody and personality. She has performed at events and festivals in the UK, Canada, Spain, Thailand, Japan, China, and Australia. She also teaches 6 week Spoken Word courses looking at the power of vulnerability and honesty both on and off the stage.
Poetryspective, a new poetry and spoken word event celebrates world poetry. Featuring one poet performing their own work, and one poet presenting the work of a poet who inspires them, with an open section that encourages not just the reading of original work, but the work of others that inspire them. MC’d by Lish Skec.
Alison Whittaker reads ‘Murrispacetime’ as part Blakwork, reading for the Melbourne Visiting Poets Program, at The Wheeler Centre in August 2018.
Alison Whittaker is a Gomeroi poet, life writer and essayist from Gunnedah and Tamworth, north-western New South Wales. She now lives in Sydney on Wangal land, and is recently returned from the US, where she received a 2017 Fulbright Indigenous Postgraduate Scholarship to complete a Master of Laws (LLM) at Harvard. Her poem MANY GIRLS WHITE LINEN received the Judith Wright Poetry Prize in 2017. She is the author of Lemons in the Chicken Wire (Magabala Books), the debut collection that established her as a powerful new voice in poetry.
Her next book, Blakwork (forthcoming from Magabala), is a stunning mix of memoir, reportage, fiction, satire and critique. Blakwork is an original and unapologetic collection from which two things emerge: an incomprehensible loss, and the poet’s fearless examination of the present.
Jennifer Compton performing ‘in the museum of the wars’, which received an Honourable Mention at The 2018 Melbourne Spoken Word Prize.
Jennifer Compton lives in Melbourne and is a poet and playwright who also writes prose. When it comes to the poetry side of things she likes to have it every which way possible. She very much likes winning the Newcastle Poetry Prize and being given the big cheque. And she also very much likes the hurly burly of the open mic.