Wednesday, January 11 @ 6:30pm
Tall Dark & Coffee
28 Market St South Melbourne
Entry by Donation
Has an Open Mic?
Poetry, monologues, short-stories, dramatic interpretations, stand-up comedy, light verse and dark, and twisted tales, if it’s spoken word, it is simply spoken. Hosted by James WF Roberts, the newest spoken word event on the spoken word scene in Melbourne offers something new and exciting for the experienced spoken word performer and those performers just finding their feet. Peter Tyrell has opened the doors to Tall, Dark and Coffee; a fantastic little gallery, café and performance space in Market street South Melbourne. Each monthly event, or at times weekly event is aimed at experimentation, artistry and entertainment—so come on down and enjoy the themed spoken word event that will surely be a night to remember.
Kylie Supski is a Polish-Australian poet and spoken word performer. Kylie’s inspiration comes from her personal experiences, all aspects of her life, and the people she is surrounded by. Kylie is greatly concerned with using art as a method of speaking out about global economic and political inequality. She encourages her audiences towards critical thinking, and to consider the weight of their own powers as citizens with specific regard to the inhumane policies backed by the Australian government controlled by less than ‘The 1%’. Kylie however, enjoys a diverse repertoire and is passionate about exploring the beauty of being alive. Kylie Supski was the winner of The Melbourne Spoken Word Prize in 2016.
Christine arrived in Sydney from Christchurch New Zealand in 1980; moved to Melbourne in 1985 and never left. Active in the fringe arts community in Sydney and Melbourne during the 80s and early 90’s Christine was published in NEOS, P76 and (as XTINE) in the Angry Women Anthology of Australian Women writers. She played in bands, wrote songs and was involved in community radio. Then got lost in the fog of sole parenting and working in public health. A life-threatening illness inspired her re-emergence as a poet and spoken word practitioner in 2013. She was a finalist in the Radio National 2013 Australian Poetry Slam heat, and has appeared in Melbourne Spoken Word’s Zine, Audacious Vol 1, Poetry and Place Anthology, Dirty Thirty 2015 Anthology and Offset15 Anthology. She writes about life, death, family, memory, social in/justice and the perpetual puzzle of existence. Her work is often challenging and her performance galvanising.
We Work This Shop is a place for poets and spoken word artists of all styles and levels to bring their work for feedback and workshopping in a supportive environment.
Whether you’re an experienced poet who wants to try out your latest piece on a small audience for performance feedback, or if you’ve got a piece you want to test run before trying the open mic for the first time, or something you want to edit closely, to see if it makes sense, the place is open, especially for those new to spoken word.
We start with a short writing exercise to get your writing brain moving, and then everyone gets a turn to share their piece for feedback. Bring extra copies if you can, so people can make notes and suggestions.
Entry is free but donations are encouraged to help pay for the room.
Love, loss, and loneliness all pop up in Kendra Keller’s (aka Lady Longdrop) lively and tender first collection of poems Hey Moon! Lady Longdrop demands a conversation that leads us away from an elusive state. With an active, empowered voice, she uses the moon the way many of us use it – to connect to the hidden self from, the self that is terrified of being seen. Poetry to her is a form of meditation.
In the section ‘Moon Poems’, she takes the reader out to see the moon, and in the poem, ‘Full-of-it’ lies a powerfully vulnerable question that requires sight:
Great fat moon
Why do you look at me and ask
Whether I am as fully human as you are fully stone
What would it take for many of us to articulate the pain our mothers and fathers caused us? To articulate back, to them, their state, and ours, through a question? Lady Longdrop insists that we rest before this journey – to connect with our larger selves.
What would it feel like if we took our problems to the moon, then feasted on her light as the narrator of the book does? Would we perceive love in ways suggested in ‘Love Is’?
A forgotten dream
Would we then dig deeper into our memories, and say:
Love is some clothes I threw out cos they didn’t fit anymore
Love is some papers
Dusty with nostalgia
That I had to burn
Where would we go? The ocean?
If we are to find ourselves, to find where we belong, we must find the things that truly know themselves. In her poem ‘As Though it is OK’, Lady Longdrop poetically displays the human demise when we compare ourselves to others without the knowledge of our capacity to transcend our conditions.
You hang there
As though it is ok
As though there are humans who can cope with your perfect
mirroring of yourself
Lady Longdrop consistently draws attention to the possibility of opening up
Ziimusic performs ‘Black Don’t Crack’ at the Slamalamadingdong Grand Slam in May. Ziimusic is on the 2018 Slamalamadingdong National Poetry Slam team travelling to Chicago in August.
ZIIMUSIC, is a Naarm based creative blending his artistry into a soulful experience. Originally from Zimbabwe, ZIIMUSIC began his creative career as a rapper and musician. He has had the privilege of performing in and around Naarm where his band have performed at festivals and sold out venues. 2017 saw ZIIMUSIC step into the Spoken Word scene as he was part of the Band Of Brothaz compromising of Naarms most decorated spoken word artists.