Friday, May 15 @ 7:00pm
180 Holmes Road Moonee Ponds
Has an Open Mic?
Speak Up is the Incinerator’s new program of poetry and spoken word nights that will run throughout the year, curated by local spoken word artist Jessie Giles.
Come and experience some of Melbourne’s finest spoken word performers and poets in the heart of a visual arts gallery. Hear the human voice ring out in a space that is usually reserved for ‘silent’ visual language.
Poet. Storyteller. Activist. Writer. Lyrical master rhyming tighter Soaring you higher; fire for the fighters Makes you feel as well as think To cut way deep inside ya; Styles of performance are many and varied Revolutionary polemics; Talmudic stories Back-snap chick-chack rhythmical rhyming To slow storytelling full mesmerising;
Liam Monkhouse aka Mista Monk is an MC with Afro-Jazz-Rap exponents Black Jesus Experience and formerly of Culture Connect. Presenting the personal and the political with dynamic flows and conscious word play, Monk bridges hip-hop aesthetics with spoken word poetics with emphatic results.
Gabriela Georges is a Melbourne-based singer-songwriter and poet who fuses the old and the new, experimenting with words ‘til she’s no longer blue. Using music and poetry to self-express, she writes on love, nature, grief and death. She sometimes rhymes words as she’s walking down the street; she likes her hip hop and hearing a good beat. She’s performed at the Melbourne Fringe, Sydney Fringe and Hare Hole, and had her work published in Offset, an arts journal.
Ebony MonCrief, raised in Birmingham, Alabama, is a writer, performance poet, inspirational speaker and producer of the open mic Voices in the Attic. Through words, she explores art, music, humanity, the universe and most importantly self. Her vibrant storytelling style engages, entertains and provides audiences with a honest look at the person behind the words.
POSTY Poetry & Spoken Word Special Delivery is a new fortnightly open mic event hosted by Hamish Danks Brown a.k.a. Danksta Downunder. All welcome to distribute and sort their poetry on stage and to deliver it in any language. The Post is well located on the corner of Brighton Road and Inkerman Street. If you’re coming from North of the Yarra catch the number 3 or 67 trams from Swanston Street and get out at Stop 34 right outside the pub. It’s a very warm and welcoming venue with good food and drinks.
I’m sitting down for an interview with Waffle IronGirl, me on one end of old faithful (Facebook Messenger), her on the other. I’ve – somewhat unwisely – started off proceedings with a list of ‘suggested’ questions from my partner Lexi, all of them uniquely bizarre. For instance:
“How adaptable is the waffle iron as a printing technology?”
Waffle IronGirl shoots this one down:
Waffle Iron isn’t a printing technology.
It’s very adaptable personal weaponry though.
Things are off to a cracking start.
We’re here to talk about performing in Singapore (she was recently a support act in the Singapore poetry slam) and chapbooks (she’s running a workshop on chapbooks for the Melbourne Spoken Word and Poetry Festival). But I can’t resist. Where does the name “Waffle IronGirl” come from? ” I once wrote a flash fiction story about a vigilante called Waffle IronGirl,” she explains. “She used a waffle iron to dispatch with those who would violate her boundaries or the boundaries of those she cared about. When I started performing I needed a stage name, and it seemed like she could impart a courage and frankness that I felt I was lacking personally.”
I could pause here to note that Waffle IronGirl is one of the most original performers I’ve seen, and when she featured for us at the Dan, I felt like the top of my head had been taken off and I had a whole range of new weird and wonderful ideas poured in. Instead, I ask about the Singapore slam; what differences between Singaporean spoken word and Australian spoken word did she notice? “What struck me wasn’t so much the difference in style”, she says, “although that was certainly there. From a style perspective, there was certainly a more natural use of multiple languages and accents and dialects within the same
What does your name mean?
Thabani means “be happy”.
What makes you happy?
Connecting with people. I enjoy consuming art in all its forms. Art is one of the most connective things in which we can participate.
What made you leave Zimbabwe and come to Melbourne? Is Melbourne home now or is there more to your journey?
I left to study in the US and South Africa and finally Melbourne because I have family here. I just thought it would be beaches and people in swimsuits all day but had a rude awakening!
There is so much more to the journey. The project I’m working on now is about the sense of identity displacement. Even in Zimbabwe, I was not culturally accepted because I went to a lot of “white” schools. I’m still searching for a sense of belonging.
Do you know what this place looks like?
No, that’s why it’s so hard to find. But it’s not about the finding, it’s about the journey towards finding. In fact, I’m content to continuously search and not find it because it’s in the search that the most meaningful interactions are to be found.
You’re a Wheeler Centre Hot Desk Fellow. What that does mean to you?
It is a great opportunity. Connecting to other writers and becoming a part of the literary world – that is the most valuable aspect. The biggest growth for me is the discipline – working on one full body of work thematically linked, where the content needs coherent narrative. I’m usually very sporadic and volatile in writing, so it’s been an interesting challenge to get into the frame of mind where I’m still authentically expressing myself but it’s a controlled expressing. Not writing to the feeling, but bringing the feeling and writing to it.
You’re part of the Slamalamadingong National Poetry Slam Team. How do you feel and what are you expecting at the event?
A lot of poetry! It’s great to see people workin