Tuesday, March 29 @ 6:30pm
The Toff in Town
2 252 Swanston St
Has an Open Mic?
Purchase tickets at http://moshtix.com.au/v2/event/…
“Within every woman there lives a powerful force, filled with good instincts, passionate creativity, and ageless knowing.”
‘Sisters For Sisters'(SFS) and Slam TV presents WE RUN WITH WOLVES, an inspirational night of spoken word of the fierce and feminine kind. Melbourne’s fiercest female bravehearts join forces to paint stories with poetry, from triumphs to trip-ups, fierceness to fragility. Featuring Emilie Zoey Baker, Ee’da Brahim, Candice Monique, Ebony MonCrief, Sukhjit Kaur Khalsa, Soreti Kadir, Fleassy Malay and Katherine Gailer.
Being of Oromo heritage but having spent most of her life living in Melbourne, Soreti is committed to cultivating the power of the African diaspora through her work as one of the Co-Founders and the Directing Manager of In Our Own Words; an NGO focused on self-awareness, de-colonial thinking and community empowerment. Soreti’s expression as a spoken word artist and an emerging writer encompasses her passion for critical thinking, the strengthening of the African diaspora and community engagement.
Fleassy Malay is an Internationally renowned, evocative and powerful spoken word artist from the UK. Now based in Melbourne, she runs two successful Spoken Word events in Fitzroy, Mother Tongue and Brother Tongue. Her quirky, theatrical and emotive performance style captivates audiences leaving them both laughing and crying, occasionally both at the same time. Fleassy incorporates both her Theatre background with her love of hip hop and poetry to create stories and poems that ooze rhythm, melody and personality. She has performed at events and festivals in the UK, Canada, Spain, Thailand, Japan, China, and Australia. She also teaches 6 week Spoken Word courses looking at the power of vulnerability and honesty both on and off the stage.
Emilie Zoey Baker
Emilie Zoey Baker is a published award winning poet and slam champion. She has performed her poetry all around the world and is a state coordinator for the Australian Poetry Slam. She is also the winner of the Berlin International Slam as part of the 2010 Berlin International Literature Festival. She is co-cordinater of the Liner Notesspoken word tributes to classic albums. She has featured at Women Of Letters, Ted, The Sydney Writers Festival, The Melbourne International Arts Festival, as well as the Bowery in NYC and The Green Mill in Chicago. She also coordinates The Super Poets, who travel into schools exciting and delighting kids about the joys of writing and performing poetry, and developed the first state teen team poetry slam called OutLoud.
Ebony MonCrief, raised in Birmingham, Alabama, is a writer, performance poet, inspirational speaker and producer of the open mic Voices in the Attic. Through words, she explores art, music, humanity, the universe and most importantly self. Her vibrant storytelling style engages, entertains and provides audiences with a honest look at the person behind the words.
Ee’da is a half-Indian, half- Malay Singaporean poet, emcee, singer/songwriter, dancer and arts educator. She broke cultural convention by leaving her family home and coming to Australia where she knew no one. She went on to become an award-winning poet and community arts worker, receiving Victoria’s Multicultural Awards for Excellence for her work in the arts. In 2015, she was awarded the UNESCO City of Literature grant to receive mentorship in diversity education through poetry in New York City. She had featured twice at the Bowery Poetry Club in NYC and The Silver Room in Chicago and has performed at the United Nations Conference, Arts Centre Melbourne and venues across Melbourne. Most recently her works were featured at International Writer’s Festival in Bali and she continues to run poetry and arts programs in schools and community organisations. She is also a singer/songwriter and has supported international hip hop acts such as Lyrics Born and Dead Prez. She is the Founder of ‘Sisters For Sisters’, a Melbourne-based music and arts collective aimed at creating a platform for female artists while addressing a myriad of social issues both locally and internationally.
Sukhjit Kaur Khalsa
Sukhjit Kaur Khalsa is a first generation Australian Sikh spoken word poet, MC, producer, actor and human rights reformer.
Poet, lyricist and vocalist Candice Monique has an inimitable style that fuses neo-soul, hip-hop, spoken word and soul. A diverse co-writer, her extensive catalogue includes collaborations with Professor Griff of Public Enemy, Rich Medina, Metals and M-Phazes.
Originally from Colombia and currently working in Australia, Katherine Gailer explores the world through a variety of art forms including painting, illustration, singing and poetry. Gailer’s artistic expression underscores a main theme that looks at the complex relationship between fragility and strength, vulnerability and empowerment– elements which in some ways come to define both male and female experience.
The Dan is Melbourne’s longest running weekly poetry venue is now in its 24th year. Every Saturday between 2pm-5pm, The Dan O’Connell Hotel becomes, The Home of Poets. The Dan is a community of poets, who support each other’s work, and endeavour to improve their poetry. Some of the poets that perform at The Dan have been writing poetry for decades, but many, are just starting their poetry journey.
The Dan is also, for people that love to see poets performing their poems. Our poetry audience can listen, and watch the open mic, with a drink and a meal in front of them, you will hear words from around the corner, and around the world. It’s free entry, and everyone is welcome on the open mic.
Give yourself the gift of a living performance, come and experience Poetry @ The Dan O’Connell. Put your name on the blackboard and be part of the open mic. Co-ordinated and MC’d by the Dan Poet’s Collective, Libby, Steve, Anne, Norman and Tim.
You are part of the team that Slamalamadingdong is sending to US to compete in the National Poetry Slam. What excites you the most about competing in Chicago?
I’m immensely proud of Slama and of the whole Melbourne poetry scene, so I’m excited to go and represent everyone at such a huge event. I’d like to be a kind of ambassador for the amazing art being created in Melbourne and Australia. I’m keen to watch, connect with, and learn from lots of other amazing artists. I think we might also be able to push the boundaries of what American audiences think of as ‘Slam Poetry’ by bringing our own styles, experiences, and contexts into our work and our performances.
Your accent is decidedly English. What part of the UK are you from, and what brought you to Australia and Melbourne in particular?
I was born in Newcastle Upon Tyne, but grew up down south in Surrey. The rest of my family are from in and around Manchester, so that was an influence too. I’ve also lived in Leeds, South London and North London. So, maybe I’ve got more of an ‘undecidedly’ English accent. I wonder whether those varied influences were part of what got me interested in accents, dialects, and language generally.
My partner and I met in the UK but her mum is Australian and her family emigrated to live in Geelong some years ago. That gave us the chance to try living in another country and we fell in love with Melbourne. We said we’d give it two years and see how we settled in. That was five and a half years ago. So, it looks like it’s going okay.
Yes, I did hear that you would travel from Geelong to attend poetry events. What made getting up in front of that mic worth the small journey each time?
The poetry and spoken word scene is my community, so it was well worth the journey just to be among those people and hear their art and their stories. I think it was important for my mental health to keep performing regularly too. There is some
The ‘aperture’ of an ‘OCDiva’s’ ’appetite’ by Hamish Danks Brown
“Beauty beheld in solitude is even more lethal.” Witold Gombrowicz, Ferdydurke
In mid-December 2016, Amy Bodossian launched her debut collection wide open in the standing room confines of Ferdydurke, a venue located above Tattersalls Lane in the CBD.
It’s a slim ninety-page volume containing two dozen poems, plus illustrations by an Adelaide-born cabaret performer who usurps any stage with such panache escalating to frenzy that I’ve christened her ‘OCDiva’!
The poems hone in on personal matters: the author’s body, mind and soul; the whenever, wherever, with whoever that all comes with outbreaks of love and influxes of sex. This book is not for the prurient and prudish among us. It is intended for a ‘wide open’ readership in print and for a like-minded audience with similar gaping predilections shown when the ‘OCDiva’ herself is on stage.
The overriding theme of this book is that adults are overgrown kids dealing with the alternative facts and fantasies of love lives and that none of us are getting any younger though we can tweak time and play depending on whose place we’re at, through the detouring routes of our boudoir behaviour patterns.
This collection goes full-cycle from a juvenile tryst in ‘Remember that Sunday Afternoon’, to a reflective ‘Reprise’ via a poetic cycle of remembered episodes and personal encounters such as ‘First Date’, ‘Coat Hanger Eyes’, ‘Summer Love’, ‘Phone Sex’ and ‘Over’:
I’m not into dominating / but I do like masturbating / over the thought of you telling me things / you’d never tell anyone else, / how you say you’d like to be punished / which I’m not really into, but I do get wet / over your wounded, he