Lionel Fogarty / RMIT nonfictionLab reading

Melbourne Fringe: Whiplash

You know this story like the back of your hand. It starts with a date and a Runaway Heart with a suitcase full of memories.

The latest tour de force from eclectic solo storyteller Scott Wings, WHIPLASH is an electric riot of words and physicality. Diving deep inside his own body, Scott chases his runaway Heart as it absconds with his fondest memories – all while avoiding the hypervigilant searching of his Brain. Along the way he meets younger versions of himself and juggles the desires and disruptions of all sorts of organs, trying not to let the whole thing collapse in a mess of blood, sweat and tears. WHIPLASH digs into what makes a good man, a bad man, and a better man. It’s a heartfelt meditation on medication, lost love, memory, age, dating, hope/lessness. And it’s a stunning, sweat-soaked display of storytelling by one of Australia’s finest.

At Ruckus House, a secret Inner North location – book or get in touch to find out more.

A Waffle On with Waffle IronGirl

I’m sitting down for an interview with Waffle IronGirl, me on one end of old faithful (Facebook Messenger), her on the other. I’ve – somewhat unwisely – started off proceedings with a list of ‘suggested’ questions from my partner Lexi, all of them uniquely bizarre. For instance:

“How adaptable is the waffle iron as a printing technology?”

Waffle IronGirl shoots this one down:

Waffle Iron isn’t a printing technology.

It’s very adaptable personal weaponry though.

Things are off to a cracking start.

We’re here to talk about performing in Singapore (she was recently a support act in the Singapore poetry slam) and chapbooks (she’s running a workshop on chapbooks for the Melbourne Spoken Word and Poetry Festival). But I can’t resist. Where does the name “Waffle IronGirl” come from? ” I once wrote a flash fiction story about a vigilante called Waffle IronGirl,” she explains. “She used a waffle iron to dispatch with those who would violate her boundaries or the boundaries of those she cared about. When I started performing I needed a stage name, and it seemed like she could impart a courage and frankness that I felt I was lacking personally.”

I could pause here to note that Waffle IronGirl is one of the most original performers I’ve seen, and when she featured for us at the Dan, I felt like the top of my head had been taken off and I had a whole range of new weird and wonderful ideas poured in. Instead, I ask about the Singapore slam; what differences between Singaporean spoken word and Australian spoken word did she notice? “What struck me wasn’t so much the difference in style”, she says, “although that was certainly there.  From a style perspective, there was certainly a more natural use of multiple languages and accents and dialects within the same

Addicted to the feeling of feelings: Interview with Thabani Tshuma

What does your name mean?

Thabani means “be happy”.

What makes you happy?

Connecting with people. I enjoy consuming art in all its forms. Art is one of the most connective things in which we can participate.

What made you leave Zimbabwe and come to Melbourne? Is Melbourne home now or is there more to your journey?

I left to study in the US and South Africa and finally Melbourne because I have family here. I just thought it would be beaches and people in swimsuits all day but had a rude awakening!

There is so much more to the journey. The project I’m working on now is about the sense of identity displacement. Even in Zimbabwe, I was not culturally accepted because I went to a lot of “white” schools. I’m still searching for a sense of belonging.

Do you know what this place looks like?

No, that’s why it’s so hard to find. But it’s not about the finding, it’s about the journey towards finding. In fact, I’m content to continuously search and not find it because it’s in the search that the most meaningful interactions are to be found.

You’re a Wheeler Centre Hot Desk Fellow. What that does mean to you?

It is a great opportunity. Connecting to other writers and becoming a part of the literary world – that is the most valuable aspect. The biggest growth for me is the discipline – working on one full body of work thematically linked, where the content needs coherent narrative. I’m usually very sporadic and volatile in writing, so it’s been an interesting challenge to get into the frame of mind where I’m still authentically expressing myself but it’s a controlled expressing. Not writing to the feeling, but bringing the feeling and writing to it.

You’re part of the Slamalamadingong National Poetry Slam Team. How do you feel and what are you expecting at the event?

A lot of poetry! It’s great to see people workin