POSTY Poetry & Spoken Word Special Delivery is a new fortnightly open mic event hosted by Hamish Danks Brown a.k.a. Danksta Downunder. All welcome to distribute and sort their poetry on stage and to deliver it in any language. The Post is well located on the corner of Brighton Road and Inkerman Street. If you’re coming from North of the Yarra catch the number 3 or 67 trams from Swanston Street and get out at Stop 34 right outside the pub. It’s a very warm and welcoming venue with good food and drinks.
Poetryspective is a fortnightly poetry and spoken word event celebrating world poetry. Featuring two poets, one performing their own workings, the other giving a retrospective of a poet who inspires them with an open section that encourages not just the reading of original work but the workings of other poets as well. Organised and hosted by poet Elizabeth Lish Škec.
Come along to the launch of Girls on Key’s monthly curated poetry and film night. They will have a featured poet reading live with film and a bunch of the best poetry and spoken word related film out there. August’s featured poet is Amy Bodossian.
To enquire about accessibility, contact Loop Bar: https://www.looponline.com.au/melbourne-screening-venues/
Featured poets are women and gender diverse. All welcome to this inclusive event. In association with Girls on Key hosted by Melbourne poet and artist, Katharina Gentie
To submit a film work for consideration, (poetry related only) email a link (no attachments please) with a brief bio to [email protected] submissions close one month prior to each event.
I’m sitting down for an interview with Waffle IronGirl, me on one end of old faithful (Facebook Messenger), her on the other. I’ve – somewhat unwisely – started off proceedings with a list of ‘suggested’ questions from my partner Lexi, all of them uniquely bizarre. For instance:
“How adaptable is the waffle iron as a printing technology?”
Waffle IronGirl shoots this one down:
Waffle Iron isn’t a printing technology.
It’s very adaptable personal weaponry though.
Things are off to a cracking start.
We’re here to talk about performing in Singapore (she was recently a support act in the Singapore poetry slam) and chapbooks (she’s running a workshop on chapbooks for the Melbourne Spoken Word and Poetry Festival). But I can’t resist. Where does the name “Waffle IronGirl” come from? ” I once wrote a flash fiction story about a vigilante called Waffle IronGirl,” she explains. “She used a waffle iron to dispatch with those who would violate her boundaries or the boundaries of those she cared about. When I started performing I needed a stage name, and it seemed like she could impart a courage and frankness that I felt I was lacking personally.”
I could pause here to note that Waffle IronGirl is one of the most original performers I’ve seen, and when she featured for us at the Dan, I felt like the top of my head had been taken off and I had a whole range of new weird and wonderful ideas poured in. Instead, I ask about the Singapore slam; what differences between Singaporean spoken word and Australian spoken word did she notice? “What struck me wasn’t so much the difference in style”, she says, “although that was certainly there. From a style perspective, there was certainly a more natural use of multiple languages and accents and dialects within the same
What does your name mean?
Thabani means “be happy”.
What makes you happy?
Connecting with people. I enjoy consuming art in all its forms. Art is one of the most connective things in which we can participate.
What made you leave Zimbabwe and come to Melbourne? Is Melbourne home now or is there more to your journey?
I left to study in the US and South Africa and finally Melbourne because I have family here. I just thought it would be beaches and people in swimsuits all day but had a rude awakening!
There is so much more to the journey. The project I’m working on now is about the sense of identity displacement. Even in Zimbabwe, I was not culturally accepted because I went to a lot of “white” schools. I’m still searching for a sense of belonging.
Do you know what this place looks like?
No, that’s why it’s so hard to find. But it’s not about the finding, it’s about the journey towards finding. In fact, I’m content to continuously search and not find it because it’s in the search that the most meaningful interactions are to be found.
You’re a Wheeler Centre Hot Desk Fellow. What that does mean to you?
It is a great opportunity. Connecting to other writers and becoming a part of the literary world – that is the most valuable aspect. The biggest growth for me is the discipline – working on one full body of work thematically linked, where the content needs coherent narrative. I’m usually very sporadic and volatile in writing, so it’s been an interesting challenge to get into the frame of mind where I’m still authentically expressing myself but it’s a controlled expressing. Not writing to the feeling, but bringing the feeling and writing to it.
You’re part of the Slamalamadingong National Poetry Slam Team. How do you feel and what are you expecting at the event?
A lot of poetry! It’s great to see people workin
Stephanie Dogfoot! We are very excited about your upcoming visit to the Melbourne Spoken Word and Poetry Festival 2019, especially in the festival opening night but also you’re feature at Mother Tongue. What else have you planned on your visit?
I am going to Brisbane to visit friends, and also to check out this Melbourne based sketch group I am obsessed with, called Aunty Donna. Of course I am also excited to check out MSWPF19. I’m also really looking forward to doing some hiking around Melbourne.
Before Melbourne, I’m going to Malaysia for a show there. I’m going to be bringing my new book there, they actually have a very big spoken word scene in KL, with a number of spoken word events. The scene is buzzing and exciting.
Can you tell me more about the spoken word scene in this region?
That’s something I am hoping to talk about a bit in my workshop. I’d like to draw on my own knowledge and experience, the history of spoken word in this region (including the English language slam poetry scene), and explore if there’s anything poets can draw from the history and stories of the region. I also plan to explore political spoken word, as it has emerged from the political context of this area. This includes drawing on the examples of poets I admire from this region.
There is a long history of spoken word poetry in Singapore. It started in various languages, especially Malay, and forms like sung poetry were practised extensively.
As for the history of English language spoken word, well I was on a panel a year ago where the panelists tried to trace the history of spoken word and open mics in Singapore from the sixties. There were open mics organised by university students, featuring visiting artists and professors. In the nineties, Borders (an international bookstore chain) came to Singapore and people used that space for open mics or spoken word poetry events. Legendary Singapo
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