Featured Event


Tuesday, November 15 @ 7:30pm


The Workers Club
51 Brunswick St Fitzroy


$15/12 (pre-booked) or $20/15 (on the door)

Has an Open Mic?


Melbourne Spoken Word is proud to present One Thousand Promises, a duo art project between Francesca Willow and Madison Mae Parker.

Francesca, a choreographer and performer, uses Madison’s


Listen to the latest issue of Audacious

Listen to the latest issue of Audacious, the audio-journal of Melbourne Spoken Word, a quarterly album of spoken word of the most bold and fresh voices in Melbourne.

Listen to Audacious .. ›
Interviews — October 24

Interview: The 2016 Australian Poetry Slam Champion, Arielle Cottingham

By Benjamin Solah

We’d like to congratulate MSW committee member, Slamalamadingdong co-producer and all round awesome adopted Melbourne poet, Arielle Cottingham, for taking out the Australian Poetry Slam Championship last week. MSW Director, Benjamin Solah, had a chat to Arielle following the win.

Tell us a bit about how you got introduced to spoken word?

Hoo, it’s a bit of an involved story. I stumbled across spoken word more or less by accident. I always kept my old high school English textbooks, and I was cleaning out my closet in my parents’ home over the summer when one of them fell open to a page in a chapter we hadn’t covered in class that year. In the sidebar, there was a photo with a caption along the lines of “Staceyann Chin is a world-renowned spoken word poet.” I hadn’t heard of spoken word at that point (I think I was about 17), and thought I’d look it up. I promptly forgot about the book, and then, a few months, maybe a year later, I happened to open the book to the same page, and thought, “Okay, I’m actually going to look this up now.” The first poem I clicked on was her piece “If Only Out of Vanity,” and I was completely floored. I clicked on more of her work, and then found Phil Kaye, Sarah Kay, Andrea Gibson, and Anis Mojgani within the next few hours. I was so starstruck with them I didn’t even think to write for performance for another several years; I would just binge on YouTube videos of poets every once in awhile and try to show my friends. I eventually wrote a couple of poems for performance, but didn’t have the resources to find or get to poetry readings in my hometown; Houston doesn’t really have a central portal for finding poetry events like MSW, so I didn’t have an entry point.

Fast-forward several years. I studied abroad at University of Melbourne, and during my stay a friend in the theatre community mentioned that Anis Mojgani wa

Reviews — October 17

Review: The Silences by Robbie Coburn & Amanda Anastasi

By Anna Forsyth

We live in a loud world, full of endless distractions and social media feeds clamouring for our attention. In their joint poetry collection, The Silences (Eaglemont Press), Robbie Coburn and Amanda Anastasi explore the idea of silence in all its forms. It is a meditation. Reading through the poems is an exercise in quiet reflection; a chance to journey into an interior world, by way of Robbie’s haunting (and haunted) rural landscapes and Amanda’s domestic surrealism.

The publisher Ian McBryde (himself a poet of merit) has allowed white space around each poem, that forces the reader to sit for a moment with the after image of each work; a perfect embodiment of the theme. Robbie’s cover design of a lone figure leaning into a dense fog is moody and abstract. It is reflective of his poem, Autumn Proverb:

I recalled your ghost, transparent in the open paddock, a thin veil of fog beginning to leak into the frame.

The Owl and Cat was close to the best choice of venue for a book from Shelton Lea’s publisher, Eaglemont Press (now fronted by Ian McBryde). It has a bohemian, dive-bar feeling. The only other obvious choice would have been a pub. Perhaps Shelton would have heckled from his grave if it was in one. There were few antics. The smoking and rabble rousing was outside. But inside Amanda and Robbie had people queuing to sign their books.

The crowd was far from silent. More seating had to be brought in and the crowd had a contingent of westies, still in a celebratory mood after the Bulldogs win.

Hopefully there will come a time when the binary idea of two separate factions fades away. Both Robbie Coburn and Amanda Anastasi are regular readers on stages. They certainly don’t represent the idea of authors locked away in towers and emerging, shading their eyes from that dreaded sunlight. But neither are they the type of poets to flail their arms about and blow their own trumpet in order to win a contest of words.