Through the magic of technology and electronic communication, I was honoured to delve into the thoughts of Natalie Jeffreys.
Natalie is a singer-songwriter, composer, and spoken word poet based in Melbourne. Her music and poetry explores the intersection of faith, beauty, mental health, playful storytelling, and comedy. She is the creative mind behind Puddledog Productions, a business where she creates customized songs as personalized gifts
There are poets and then there are people that are a poem in human form and Natalie is one of the latter.
Firstly I just need to say when I heard you had won the 2018 MSW prize, my heart was full of such warmth and joy. How did winning that esteemed accolade make you feel?
Thank you so much! I felt overwhelmed by imposters syndrome. When you are asked to compete against 29 other poets, let alone 29 of the best poets in Melbourne, winning feels like an incredible honour, but also arbitrary. I kept thinking, and actually explaining to those who congratulated me, that if it was any other night, it could have gone any other way. My beautiful friend, and one of my favourite poets, Farah Beaini was extremely ill that night, and performed regardless. I still think that if she didn’t have to focus on staying vertical as she performed, she could have put me to shame. However, I did win, and it forced me to acknowledge that there may be worth to my words (she says through clenched teeth).
The piece that won you that prize – The Purity of Sadness – is a such a beautifully raw and genuine piece. Did you write it specifically for the prize?
It had been brewing for a while. I had been struggling with the connection between my anxiety disorder and PMS for a while and it felt like I couldn’t catch a break in terms of actually validating my emotions. If I was sad, my first thought is “where am I in my cycle”, and then “it’s just